Stand with Us: A Message from SAM’s Director and CEO

Usually on April 1, we post something light on social media for April Fools’ Day—a playful faux exhibition announcement or cheeky art joke. But this year, there’s nothing funny about the cultural sector being under attack.

In recent weeks, there have been Executive Orders and actions aimed at the Smithsonian, the Kennedy Center, the Institute of Museum and Library Services (IMLS), and other cultural organizations and universities. The reality is that museums, artists, and cultural institutions across the country are under siege. 

These moves are troubling because they are an attempt to diminish the role of the arts, humanities, and higher education. Museums, artists, and the communities we serve are facing increasing scrutiny. 

At SAM, our mission and values remain unchanged. We believe museums matter—as spaces of dialogue, community connection, creativity, and activism. We believe in truth. In inclusion. In history. In facts. We believe in public service. 

That’s why we’re taking this opportunity to speak out and ask our community to stand with us and support the arts. Because the arts matter and bringing together our community matters, we’re offering everyone 50% off admission all month long to the Seattle Art Museum. This is our way of opening our doors even wider—inviting people in to experience the power of art and stand with us in supporting cultural spaces during a time when they’re being challenged.

It couldn’t be a better time to visit the Seattle Art Museum, too: Ai, Rebel: The Art and Activism of Ai Weiwei is now on view. This exhilarating and expansive retrospective explores 40 years of the globally renowned Chinese artist’s life and career as he questions forms of power, disrupts artistic canons, and challenges political authoritarianism. We invite everyone to come see the show, be inspired, and stir up some good trouble. 

Because the best way to push back is to show up. 

– Scott Stulen, Illsley Ball Nordstrom Director and CEO

Photo credit: Installation view of Study of Perspective—White House, Eiffel Tower, San Marco, Hong Kong, Long Island City, Mona Lisa, Tiananmen Square, Bern (detail), 1995–2011, Ai Weiwei. Eight (8) black-and-white photographs, 19 11/16 x 29 9/16 in. each. Photo: Chloe Collyer.

Muse/News: Thrilling Ali, Wake Floats, and Craft is Art

SAM News

Amelia Ketzel pens a “love letter” to Anida Yoeu Ali’s performance-based works for Variable West—part of a recurring series for the platform for West Coast art. See Hybrid Skin, Mythical Presence now at the Seattle Asian Art Museum!

“Ali’s presence is thrilling and completely engrossing: what will these colorful entities do next? Where will they go? Where can they go?”

Check this out: Last week, The Seattle Seahawks and Delta Airlines visited the Seattle Art Museum to surprise Yaoyao Liu, SAM Manager of School & Educator Programs, naming her a “Delta Community Captain” for making a difference with her work to support arts education

Local News

The Seattle Times returns to its This City Block series, this time visiting Ballard. Rachel Gallaher features “3 must-visit Ballard museums and art galleries.”

Sarah Stackhouse for Seattle Magazine reports back from Visit Seattle’s annual meeting that the city of Seattle is “again the place to be,” with an increase in visitors nearing pre-pandemic levels.

In her latest ArtSEA post, Crosscut’s Brangien Davis remembers the late Richard Serra with a visit to Wake at the Olympic Sculpture Park

“Narrowed at the base of what might be the prow and stern, the five rusted steel forms seem to move as a flotilla, impossibly balanced as a giant ship on water — how does it stay afloat?”

Inter/National News

Via Artnet: “The Door From ‘Titanic,’ Too Small to Fit Two People, Sells Big at Auction.” (“Too small”??)

Faye Hirsch for Art in America on the retrospective of Käthe Kollwitz now on view at the Museum of Modern Art. 

Joyce J. Scott: Walk a Mile in My Dreams opened last week at the Baltimore Museum of Art (BMA). Baltimore Magazine interviewed Scott to preview the retrospective, which was co-organized by the BMA and the Seattle Art Museum and opens here this fall. 

“I’m an artist-craftsperson. I don’t separate them. I’m always doing both. It’s the same impulse, the same creative feeling or setting that makes me make a cup and makes me make a piece of sculpture. There’s not a hierarchy that I ascribe to.”

And Finally

In case you missed our big announcement.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Alborz Kamalizad.

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