We read each other’s body language all day, every day. In the museum, surrounded by artworks depicting a variety of figures and movements, this instinct can be put to an international test of how well we understand gestures and postures. A walk through the galleries can simulate what it’s like to be in another country, where you don’t know the verbal language and need to navigate based on reading bodies.
In the exhibition In This Imperfect Present Moment, a person’s body is telling you to stop and recognize that their moment has come, and you are a vital participant. They are ready to talk. Which language are they likely to speak? Toyin Ojih Odutola was born in Nigeria, grew up in Alabama, went to art school in San Francisco, and now lives in New York. She’s given many insightful interviews that provide a sense of the conversation you might have with her about her work. For now, here’s just one quote: “I’m attracted to the understated in art: moments that can be quickly passed over, but are complex and layered. There’s nothing wrong with bombast, and the maximalist in aesthetic and presentation, and I often exploit those very qualities. But nothing beats the underwhelming, the quiet, the subtle. When you see the economy of line used so effortlessly—that always gets me, because it isn’t easy.”
– Pam McClusky, Curator of African and Oceanic Art