Muse/News: Chiyo on Monet, Leaders Reflect, and A Major Acquisition

SAM News

Chiyo Ishikawa, the curator of Monet at Étretat, recently appeared on New Day NW to talk about the exhibition’s fresh look at the beloved artist.

“I hope they [visitors] will see him with fresh eyes. I hope that they will be able to put themselves in his shoes and see somebody in the midst of a struggle … when we look back, we think of Monet’s career as one long success—well that’s not how he experienced it.”

For those who couldn’t tee off, Seattle Refined dropped by SAM’s artist-designed mini-golf course at the Olympic Sculpture Park, sharing this photo gallery.

Local News

“A Pied Piper of modern dance.” The Seattle Times’ Moira Macdonald reviews Ailey, the new documentary on choreographer Alvin Ailey.

“15 photos of memorable 2021 moments (so far)”: Crosscut photojournalists reflect on the year so far in photos.

Also from Crosscut: Their latest podcast features three Seattle arts leaders—Erin Johnson, Tim Lennon and Vivian Hua—sharing their pandemic tales of survival and transformation.

“Now that audiences are tentatively beginning to gather again, they are returning to a landscape that has been forever changed, for worse and for better.”

Inter/National News

Jesse Green of the New York Times reviews Antoinette Chinonye Nwandu’s play, Pass Over, which he says “inaugurates the new season with unexpected joy.” Celebrating its Broadway debut, the play had a hugely popular run at ACT Theatre in 2019.

Filippo Lorenzin for Hyperallergic on immersive art rooms and why we love to escape.

The Smithsonian American Art Museum (SAAM) in Washington, D.C. has acquired 286 early photographs from Larry J. West’s collection, reports Artnet, including “40 daguerreotypes by three of the most prominent Black studio photographers of their day: James P. Ball, Glenalvin Goodridge, and Augustus Washington.”

“John Jacob, SAAM’s curator for photography, said that… ‘SAAM now can show an inclusive history of photography, with African Americans among its earliest practitioners, conveying to viewers their contributions as innovators and entrepreneurs.’”

And Finally

The Isley Brothers: Tiny Desk Concert.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Courtesy of New Day NW

Muse/News: Art + Golf, NW Art Trip, and the Fate of Afghan Art

SAM News

“A hole-in-one for the arts.” That’s the Seattle Times on Par-Tee in the Park, SAM’s fundraiser featuring an artist-designed mini-golf course! Moira Macdonald spoke with Kimisha Turner, Eroyn Franklin, and LMN Architects about their creations that will support SAM programs. 

Also in the Seattle Times: Trevor Lenzmeier with a “Seattle tourism starter pack” that will have you visiting key downtown landmarks in a cool 90 minutes, including a few of the Olympic Sculpture Park’s monumental sculptures.

Local News

#FromTheArchives: Seattle Channel interviews artist Fay Jones. You’ll recognize her style from many public art projects around the city; her work is also in SAM’s collection

My fellow On The Boards-goers must also be obsessed with this little storefront: The Stranger’s Dave Segal reports on the impending arrival of Almost Everyday Music on Queen Anne. 

Crosscut’s Brangien Davis takes a Northwest arts road trip

“Stepping out of my car in Edmonds on a recent sunny Friday, I detected a scent as layered as a fine wine: a bouquet of salty sea air with notes of star jasmine and a fleshy finish of fried fish. It was only the first stop on my arts road trip, and already I’d drunk deeply from a full-bodied Northwest blend.”

Inter/National News

“Can the Arts Help Drive Vaccinations? Yes, According to the CDC.” From Hyperallergic’s Valentina Di Liscia.

“Can We Ever Look at Titian’s Paintings the Same Way Again?” asks Holland Cotter for the New York Times.

Artforum on the uncertain fate of Afghanistan’s museums and archeological sites.

“‘We have great concerns for the safety of our staff and collections,’ said Mohammad Fahim Rahimi, the institution’s [Afghan National Museum] director. At present, there is no plan for moving the items out of harm’s way. ‘The question is how to find a safe location,’ said a government source, additionally noting, ‘There is no way for them, or the staffs, to leave the country.’”

And Finally

Sometimes you’re just an art pumpkin being tossed in a typhoon.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Courtesy of LMN Architects

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