As Jessica Penn in Black with White Plumes, The Buffalo Hunt and other paintings from Crystal Bridges Museum of American Art return to their home in Arkansas, SAM’s American Art Gallery turns to look at American artists actively expanding their practice beyond paintings in oil.
Each week for the past two years we have shared one work out of the nearly 25,000 in our collection on Facebook, in a feature called “SAMart.” Starting this week, SAMart comes to SOAP! Check back each week or subscribe to our RSS to learn more about new acquisitions and old favorites in the SAM collection.
Opening on April 30, Modern Elegance: The Art of Meiji Japan features paintings and decorative objects exemplifying the essence of late nineteenth- and early twentieth-century Japanese art.
I have a meeting today at the Seattle Asian Art Museum to discuss the Getty Online Scholarly Catalogue Initiative. While I am there I plan to check out the New Old and the New New. A pair of installations featuring new acquisitions, it opened last Sunday, Dec. 12.
The New Old: Recent Acquisitions of Chinese Painting features 15 works of art produced between 1629-2009, many of which were recently donated to the museum in honor of director emerita Mimi Gates. This installation also features key works by 17th century painter Bada Shanren (1626–1705) as explained in this video excerpt from last week’s members art history lecture by SAM’s Chinese Art Curator, Josh Yiu.
The focus of New New: Recent Acquisitions in Contemporary Asian Art is to introduce visitors to the work of 17 artists that have come into the SAM collection since 2002. They represent China, Japan, Korea, Canada and the United States.
New Media Manager
Last month Sarah posted an article on John Marshall’s coffee and tea service recently commissioned for the Seattle Art Museum’s permanent collection. The video link was difficult to access, so here it is:
Christina DePaolo, New Media Manager
Recently, Decorative Arts curator Julie Emerson was able to commission a coffee and tea service from silversmith John Marshall for our collection. It’s a very cool process (both commissioning and making), something the Dec Arts department had never been able to do before—that collection had always focused on historic American and European material.