Muse/News: Fall Art, By the Numbers, and Painting Obamas

SAM News

Pumpkin spice everything and fall arts previews: It’s the best time of the year! The Seattle Times and Crosscut both highlighted Dawoud Bey & Carrie Mae Weems: In Dialogue, a touring exhibition that opens at SAM on November 17! Get excited about exploring the work and friendship of these two powerhouse photo-based artists.

“…explores their overlapping efforts to reflect the experience of Black people and issues around systems of power.”

“What connects their work, besides a friendship and a medium, is a shared timeframe and understanding of the power of photography as a way to explore — and celebrate — the experiences of Black people.”

And there’s lots on view right now! Seattle Met includes SAM exhibition Indigenous Matrix: Northwest Women Printmakers on their “things to do” list, and Crosscut’s Brangien Davis shouts-out Ryan Molenkamp’s show Ascendant, which “emphasize[s] the beauty of geologic strata and tectonic action” and is on view at SAM Gallery through October 2.

Puget Sound Business Journal is out with their “40 Under 40” list, and Chef Shubert Ho is on it! His Feedme Hospitality & Restaurant Group includes MARKET Seattle at SAM, bringing lobster rolls and other seafood offerings that can only be described as high art. Congrats, Shubert!

Local News

Grace Gorenflo and photographer Daniel Kim of the Seattle Times were there to document the recent opening of Arté Noir, a nonprofit focused on uplifting Black arts and culture founded by Vivian Phillips and directed by Jazmyn Scott.

As part of their fall arts preview, Crosscut’s Margo Vansynghel profiled “four rising Seattle artists to watch”: Moses Sun, Angelique Poteat, Ana María Campoy and Luther Hughes.

Vansynghel also conducted a survey of local arts and culture venues to find out whether attendance is recovering since the pandemic shutdowns. SAM contributed our stats and reflections on the complicated issues——and opportunities—for cultural organizations.

“We are still working to recover from the effects of the closures and attendance numbers alone don’t tell the whole story,” said Seattle Art Museum director and CEO Amada Cruz. “The bigger question we are asking is: Who is being served by, represented in and engaged with the museum and its mission? And who is not?”

Inter/National News

The New York Times recently delivered its fall arts preview, including a feature by Jason Farago on blockbusters and Will Heinrich’s list of exhibitions to see across the country.

Artnet’s Caroline Goldstein reports on the recent unveiling of the official portraits of Barack and Michelle Obama by Robert McCurdy and Sharon Sprung, respectively.

And Will Heinrich of the New York Times interviewed Sprung to learn about her experience and goals when painting Michelle Obama.

“Asked why she was chosen, Ms. Sprung replied, ‘I didn’t ask! I didn’t want to put any shred of doubt in their mind that they picked the right person.’”

And Finally

“Quick, I wanna see a Rothko before Sean poops.”

– Rachel Eggers, SAM Associate Director of Public Relations

Harlem Street, 1976–77, Carrie Mae Weems, American, born 1953, gelatin silver print, 5 5/16 x 8 15/16 in., Carrie Mae Weems, courtesy of the artist and Jack Shainman Gallery, New York.

SAM Gallery Artists on Seattle: Ryan Molenkamp

Seattle is often cited as a great place to live because of the ease of access to the outdoors. With mountains encroaching on the city’s skyline from every direction and terrains ranging from rain forest to desert in the state of Washington, it’s easy to understand why we’ve got a reputation as a city of landscape painters and nature poets. In Outside Influences, on view in SAM Gallery through April 4, Dan Hawkins, Ryan Molenkamp, Kate Protage, and Chris Sheridan depict both the cityscape as well as our moss and stone backyard—taking their inspiration from everything outside themselves and filtering it through their particular medium to create unique and striking scenes of Seattle and its surroundings. This artwork begs for reflection on the artist life in Seattle and Molenkamp provides.

Ryan Molenkamp

When I moved to Seattle in 2001 to pursue an art career it didn’t make a lot of sense . . . frankly moving anywhere to pursue an art career didn’t make a lot of sense, but I had the bug, the itch, and I found Seattle to be a welcoming place to grow. The city was full of artists and galleries and a lot of DIY spaces to show art, but it always felt like it had a chip on its’ shoulder. Very little attention was ever given to what was happening here, unless it was in music. But the scene was tight. I remember in particular during the recession years strong unity among artists in this town. If no one was going to buy art at least we could all go out and support each other over 2-buck-chuck and a Rainier. Those days have given way to a more expensive Seattle, one that has priced out a lot of artists and venues. At the same time the new Seattle is full of opportunity for artists to actually make a living at this business. The success of the Seattle Art Fair, as well as the continued success of galleries like SAM Gallery and Linda Hodges Gallery (plug—I show with Linda, too) shows that this city is ready to be more than a forgotten corner of the art world. I’m excited to have a small voice in the conversation that gives me the privilege to pursue a career in the city I love.

Image: Cascade 7, 2018, Ryan Molenkamp, acrylic on panel, 40 x 34 in.
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