The Boys in the Boat: See UW Rower Robert Moch’s Vase Collection at SAM

Originally published in 2014, The Boys in the Boat by Daniel James Brown recounts the true story of how nine University of Washington rowers beat the odds to win gold at the 1936 Berlin Olympics. Following the December 2023 release of the story’s film adaptation, we thought we’d take this opportunity to share about one of the rowers’ special connection to the Seattle Art Museum.

While browsing through SAM’s European art galleries, you may spot the name Robert G. Moch. Known as Bob and Bobby to those who knew him, Moch led the University of Washington rowers to victory as the team’s coxswain. Following his retirement from rowing and an illustrious law career, he and his wife, LaVerne Moch, donated several pieces of 19th century French glass to the museum. 

These 10 vases, donated by the Moch family in 1995, were designed by well-known glass designer Émile Gallé (1846–1904) around the end of the 1800s and utilize the popular technique known as cameo glass. With their stylized floral patterns—like silhouettes layered atop the lighter glass—the artworks demonstrate the Art Nouveau style and the influence it derived from Japanese designs.

The 1936 Olympics in which Moch and his teammates competed were particularly notable as a result of increasing political tensions brought on by Adolf Hitler’s dictatorial rule. Although the city of Berlin had been chosen to host the Games before Hitler’s rise to power, he used the international attention of the Olympics  as a way to propagandize Germany’s superiority and bolster his fascist and racist beliefs. The Nazi Party intended to ban Black and Jewish athletes from competing, but decided against enforcing these restrictions after the US and other nations threatened to boycott the Games.

Some Jewish members of the US Olympic team, including Moch, described feeling tense as they competed in front of Hitler and other Nazi leaders. Moch had learned of his Jewish heritage shortly before making the voyage to Berlin. 

Despite the fraught political and social circumstances of 1936, the story of the “boys in the boat” is inspiring in itself. The rowing team was composed of young men attending a public university to seek a better life and financial stability amid the hardships of the Great Depression (1929–1939). They beat out other Ivy League collegiate teams to qualify for the games and launched a public fundraising campaign to travel to Berlin. During the actual race, the team faced horrible crosswinds, one of their rowers was dealing with a severe bronchial infection, and Moch missed the starting call. Yet, the rowers managed to steadily pull up from last to first place in a nail-biting finish.

In addition to rowing, the US brought home the gold in many other events, including Black athlete Jesse Owens’s historic four gold medals in track and field.

The release of Daniel James Brown’s book brought renewed attention to this epic moment in American history. In 2016, PBS produced the documentary The Boys of ‘36 and in December 2023, a film adaptation of the book directed by George Clooney was released with Luke Slattery portraying Moch.

Ten years after donating his vases to SAM, Moch passed away. While we don’t know much about how he and LaVerne collected these glass vases, the museum is grateful for their donation to SAM and to retain a piece of Moch’s legacy. Many of the vases the Moch family donated are now on view in SAM’s fourth-floor European art galleries through March 2024 and will return later in 2024 when the museum’s European art galleries reopen!

– Nicole Block, SAM Collections Associate

Photos: Alborz Kamalizad.

Muse/News: Vivid Joy, Upcycled Fashion, and Expanding Indigeneity

SAM News

Amoako Boafo: Soul of Black Folks, the Ghanaian artist’s debut museum solo exhibition, is now on view at SAM! Marcus Harrison Green says the show “urges reflection on Black identity and the self” for the cover story of last week’s Real Change (also reshared in South Seattle Emerald). 

“Bringing these paintings alive are the vivid colors he uses: marigold yellows, starch whites, olive oil greens and cherry reds that are all catnip to the eye. No matter the direness of what Boafo’s subjects may have been through, brightness (i.e., joy) never abandons them. It all has the effect of making one muse over the origins of these not-so-make-believe characters.”

The Stranger’s Charles Mudede includes the exhibition in a recent “Stranger Suggests”; he has his own take on the exhibition’s connection to W.E.B. Du Bois’s idea of double-consciousness. 

As Soul of Black Folks tours the US, ARTnews’ Gameli Hamelo reports on how the artist is “using his star power to support Ghana’s art scene.”

“Boafo’s quest to show his work in Ghana attests to his dedication to his home country, which tends to get lost in discussions of his art, the prices for it, and his celebrity. Rather than coasting by on fame, Boafo is using his star power to support Ghana’s art scene.”

Also: The Seattle Times was among the outlets that announced major news from the museum last week. Amada Cruz will depart SAM for a director role at the Santa Barbara Museum of Art, a place where she has a personal and professional connection. Stay tuned for more on the institution’s leadership transition plan.

Local News

“Free Seattle waterfront shuttle bus returns,” reports the Seattle Times’ Mike Lindblom. It offers a fun way to experience the downtown waterfront, including the Olympic Sculpture Park.

Junko Yamamoto and her “vibrating substances” are featured as the Stranger’s “artist of the week.”

Jas Keimig for Crosscut on the “slow-fashion” Seattle designer dan mcLean.

“‘When it’s a dan mcLean show, it’s Fashion Week,’ said one partygoer wearing a giant hat and shades.”

Inter/National News

Via ARTnews’ Francesca Aton: “Ancient Glass Workshop Discovered in Czech Republic May Have Hosted Sacred Rituals, Archaeologists Say.”

Naomi Polonsky for Hyperallergic on Carrie Mae Weems’s new show, now on view at London’s Barbican Art Gallery.

Exciting headline via Zachary Small for the New York Times: “Jeffrey Gibson, Indigenous U.S. Artist, Is Selected for Venice Biennale.” SAM is a big fan: Gibson’s solo exhibition Like a Hammer was on view at SAM back in 2019; a work by the artist in SAM’s collection is now on view in Reverberations

“‘The last 15 years of my career have been about turning inward and trying to make something I really wanted to see in the world,’ said Gibson, 51. ‘Now I want to expand the way people think about Indigeneity.’”

And Finally

RIP, Sinead O’Connor

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Chloe Collyer.

Attention SAM Shoppers

Just the other day a woman who moved from Seattle to Nebraska back in 2005 came into the shop for the first time since our expansion 4 ½ years ago.  Her eyes were big with wonder as she exclaimed, “It’s so BIG and BRIGHT!”  Her excitement took me back to when I saw the newly expanded shop for the first time.  It was a big and bright canvas and the possibilities were endless. And thanks to the magical skills of our buyers and creative and enthusiastic staff, the possibilities remain endless.

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