All posts in “Frieze”

Muse/News: The hammer hits, post-analog art, and fun at Frieze Los Angeles

Jeffrey Gibson: Like a Hammer opens this Thursday! Seattle Magazine features the exhibition as part of their spring arts preview; the story also appears in the March print edition.

“The resulting collection is a riot of color and texture that playfully draws the viewer into a world—the experience of another human being—impossible to ever fully know, but commanding one’s full consideration anyhow.”

Nancy Guppy included Like a Hammer and the community celebration on Thursday in this New Day NW segment highlighting local arts happenings.

Fashion: Turn to the left! SAM’s own Priya Frank and David Rue are both one of “7 Seattleites in outfits that say something” in this KUOW piece by Marcie Sillman and Megan Farmer.

Local News

How’d your Oscar ballot turn out? Add to your Oscar trivia with Brangien Davis of Crosscut’s story on Margaret Herrick, a former librarian in Yakima who ended up becoming the first female executive director of the Academy of Motion Picture Arts and Sciences.

Special to the Seattle Times, here’s Gayle Clemans on the importance of artist residencies in an inequitable Seattle; she visits Mount Analogue and the Jacob Lawrence Gallery.

The Stranger’s Jasmyne Keimig also explored the residency project Ultra Light Beams at Mount Analogue, noting that the work in the show “falls loosely within the genre of post-analog art.”

“Each artist presented here grapples with this meeting of the human hand and technology as we understand it today.”

Inter/National News

Allison Meier for Hyperallergic on Tamiko Thiel’s Unexpected Growth, now on view at the Whitney; in it, the artist continues her groundbreaking AR work, an example of which appeared at the Olympic Sculpture Park in 2016.

Artnet shares the findings of a report on fundraising in the arts that included some encouraging news: average individual contributions rose each year from 2014 to 2017.

The New York Times’ Jori Finkel visits the inaugural edition of Frieze Los Angeles, as well as the new Felix LA art fair; for those who missed it, Graham Walzer took lots of great photos, too.

“’I don’t ever remember Frieze New York actually being fun — and this was,’ he said. ‘My sense is this will be the first of many Frieze fairs out here.’”

And Finally

This one goes out to all my fellow southpaws.

– Rachel Eggers, SAM Manager of Public Relations

Image: CAN’T TAKE MY EYES OFF OF YOU, 2015, Jeffrey Gibson, Mississippi Band of Choctaw Indians/Cherokee, b. 1972, high fire glazed ceramic, repurposed tipi poles, wool, acrylic paint, wool blanket, glass beads, artificial sinew, copper jingles, and nylon fringe, 72 × 29 × 38 in., Collection of Vicki and Kent Logan, image courtesy of Jeffrey Gibson Studio and Roberts Projects, Los Angeles, California, photo: Peter Mauney.
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Muse/News: Basquiat Unpacked, Public Poetics, and The Magic of The Shirelles

SAM News

The latest episode of Seattle Channel’s ArtZone features their interview with curator Catharina Manchanda about Jean-Michel Basquiat’s Untitled.

Artsy debuts their “Vanguard” series, recognizing influential contemporary artists at various points in their careers. Gwendolyn Knight and Jacob Lawrence Prize-winner Sondra Perry is included among the “newly established”—artists at “crucial tipping points in their careers.”

Los Angeles-based magazine Riot Material reviews Figuring History, in advance of its closing on May 13.

“Figuring History is as visually stunning as it is historically significant. For Robert Colescott, Kerry James Marshall and Mickalene Thomas, the show is validation that they succeeded in their passionate quest to make themselves visible. These artists matter and their art will be a beacon for us all, for those who write the histories and create the shows and for those are able to see themselves represented in museums for perhaps the first time.”

Local News

Seattle Times has the first look at the Nordic Museum as it prepares for its grand opening this weekend.

The Stranger staff picks their top 15 art shows in Pioneer Square for the month of May.

City Art’s Margo Vansynghel reviews A LONE, a series of 10 public artworks across the city co-curated by Vignettes and Gramma Poetry.

“Dealing with themes such as gentrification and the mass media’s (biased) coverage of the events in Charlottesville, the works in A LONE blend poetry and visual art and speak to the intricacies of being alone in a big city full of people. ‘You’re alone together,’ Stinson says. ‘That’s kind of a fascinating thing.’”

Inter/National News

The fun we’re not having at Frieze: Roberta Smith of the New York Times goes on the hunt for “artistic gems” at the annual art fair. (There’s a shout-out to Everyday Poetics artist Sonia Gomes!)

The American Antiquarian Society has digitized 225 photographs of Native people; taken decades before Edward S. Curtis began his project, these photos “represent the chapter one of the photographic history of Native people.”

The Baltimore Museum of Art has an “absolutely transformative” plan for their collection: deaccessioning works by artists such as Andy Warhol, Franz Kline, and Robert Rauschenberg in order to acquire works by contemporary artists who are women and artists of color.

“’The decision to do this rests very strongly on my commitment to rewrite the postwar canon,’ Bedford told artnet News. And while institutions sell art to fund new acquisitions every so often, the BMA’s latest deaccession stands out. ‘To state it explicitly and act on it with discipline—there is no question that is an unusual and radical act to take,’ Bedford says.”

And Finally

I will still love them tomorrow—and forever. The New Yorker’s Elon Green interviews Beverly Lee of The Shirelles about a “magical ten seconds” of the legendary group.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of Basquiat—Untitled at Seattle Art Museum, 2018, photo: Natali Wiseman.
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