Object of the Week: ChimaTEK: Virtual Chimeric Space

In honor of Black History Month, Object of the Week will feature artworks from SAM’s collection that explore Black art and artists. Black lives matter every day of the year, but this month is a particular opportunity to celebrate the accomplishments and legacies of Black leaders in civic and cultural life. Exploring and reflecting on the past and present of Black lives is one important way to continue to imagine better futures. Here’s the final of four reflections from four different SAM voices on one artwork and what it means to them.

Black History Month is the perfect time to envision a new world, one that is governed by empathy, equity, and justice.

Through her multi-year project, ChimaTEK: Virtual Chimeric Space (2015–16), New York-based artist Saya Woolfalk invites viewers to imagine a new reality. When you step into her virtual utopia, it invokes the spirit of the Empathics, a fictional race of women who can alter their genetic makeup and fuse with plants. Their world centers around the divine feminine, and their superpower is the ability to unite with the plant and animal kingdoms.

Woolfalk’s immersive installation was acquired by the museum in 2017 and is now on view as part of Lessons from The Institute of Empathy. There, her dynamic work is in dialogue with works from the museum’s African art collection, along with thought-provoking “empathy lessons” from the Empathics to guide your experience. Her aesthetic produces a resonance that stirs the soul. The choice of African symbols and rich colors, the incorporation of digital media, and the inclusion of sculptures that resemble spiritual totems create a hypnotic experience that transports audiences into an imaginative world. Deific figures speak to you through the movement of the images in the backdrop, evoking a sense of wonder and awe. The result is that through the exhibition, you also fuse with empathy and sense the etheric euphoria that comes from authentic connection.

Today, the immersive world portrayed in ChimaTEK is more relevant than ever. Society, from farmers to financiers, is being forced to examine business as usual. For example, the concept of regeneration, from regenerative agriculture to regenerative capital, exposes the harmful impacts of creating monocultures, being extractive, and being reductionist (on the soil and on the human soul) and offers a powerful alternative. These new approaches are proving that mimicking the ways of nature—embracing diversity, interdependence, and cooperation—are reversing the climate crisis, restoring plant and animal health, and providing the conditions for abundance, thriving, and flourishing in our businesses, institutions, and relationships.

Lessons from Woolfalk’s Institute of Empathy, like regenerative models, remind us that humanity is a part of nature, not apart from nature. That the result of a true union with nature can produce a sea change: a society where everyone resonates with the frequency of empathy. The Institute reminds us that nature’s language is love.

As Black History Month concludes and we transition from winter to spring, let’s reflect on our collective future and imagine a world governed by indigeneity (the fact of originating or occurring naturally in a particular place). Let’s respond to Woolfalk’s call to action to create a future that is inclusive, just, abundant, and flourishing. Let’s fuse with nature and shape our world, empathetically.

– Falona Joy, President of SNP Strategies, Inc. and SAM Trustee

Photo: Natali Wiseman.

Celebrate Black History Month in Seattle with these suggested events and additional resources.

Art Now on View

Resources

Object of the Week: ChimaTEK Virtual Chimeric Space

Want is the desire to possess or do, or the feeling of lack or being short of something desirable. As long as you’re wanting, you’re usually in a space of trying to gain something for yourself and yourself only. This is a result of individualized thinking, which is one of the pillars of the Western-American ideology. So what does freedom from want look and feel like? And what does it require of us to consider living free from want?

This possibility is explored by Saya Woolfalk, a New York-based artist who uses science fiction and fantasy to reimagine the world in multiple dimensions. With her multi-year projects No Place: A Ritual of the Empathics and ChimaTEK: Virtual Chimeric Space—the latter of which is on view in Lessons from the Institute of EmpathyWoolfalk creates a world of Empathics, a fictional race of women who are able to alter their genetic make-up and fuse with plants. With each body of work Woolfalk says, “I want a person to experience something that simultaneously makes them slightly uncomfortable about the potential of the world that I have created, but also gives them an excitement about a harmonious, multi-cultural society.”

While seemingly very different from human beings, the Empathics actually reflect our multicultural society in myriad ways. Through these beings, who have developed the ability to think collectively, we learn just how powerful the effects of empathy are when honed and used to empower a society in the direction of cultural evolution.

Freedom from want has the potential to take us to a place where this kind of evolution can be realized. In this free state, we are enabled to shift our focus from individual want to helping others gain what they require in order to experience the satisfaction of their needs. With the pressures of scarcity and fear eliminated, a new form of thinking emerges from a place of equity and equality.

Moving closer to freedom from want as a reality—as opposed to an out-of-reach ideal—challenges us to consider others instead of only the self. It challenges us to remove the ego—to listen and understand. It challenges what we consider necessary in order to live happy and successful lives. It challenges us to move beyond individualized, self-centered thinking and towards an elevated level of collective thinking, which is necessary for harmonious living and ultimately stimulates our capacity for acceptance, benefiting every global citizen.

– Adera Gandy, Visitor Services Officer

Image: Installation view of Lessons from the Institute of Empathy at Seattle Art Museum, 2018, © Seattle Art Museum, photo: Nathaniel Willson
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