“The painting is delightful but the content of it is not.” – Donald Byrd
If you missed seeing Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, or if you just can’t enough of these artists—don’t fret! We’ve got works by Robert Colescott and Kerry James Marshall from SAM’s collection on view in our third floor galleries! KEXP DJ Riz Rollins and Executive Artistic Director Donald Byrd have shared some thoughts on these paintings with us. Look through the eyes of these opinionated individuals and continue to consider the questions and lessons that Figuring History explored.
“. . . I think this individual is prescient. Which means he has a sense of something deeper . . . .” – Riz Rollins
“So often Black women are made small and the idea of expanding into an exhibition that is so large and so inviting and welcoming is incredible and awe inspiring to see a reflection of myself so large in the world.” – Imani Sims, poet and Central District Forum for Art and Ideas curator
Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas is a chance to reflect on your personal history as well as art history and American history. Take a tip from our Personal Histories video series and spend some time at SAM thinking about how you connect to the work on view because of the history that impacts you. Figuring History brings together three generations of contemporary American artists, whose work challenges a Western painting tradition that underrepresents people of color. The vibrant and monumental paintings by these artists offer bold perspectives on Black culture and representation. Presented together for the first time, the figurative paintings of Colescott, Marshall, and Thomas are shaped by distinctive historic events, unique in style, and united in questioning the narratives of history through Black experience. The exhibition closes May 13, so don’t delay!
Looking for more videos related Figuring History? Check out Youtube to hear from the artists!
“Storytelling is very important in hip-hop and I feel like with [Kerry James Marshall’s] pieces that he has in this room, he’s taking the stories and interpreting it in his way and then also giving the next generation something to look at.” – Stasia Irons, rapper and KEXP DJ
“I immediately recognized what I was seeing as happening in my own neighborhood back home in Mississippi.” – Marcellus Turner, City Librarian of Seattle Public Library
Judges’ Pick: Based on a cumulative score of the following categories: creativity, connection to Wyeth, and concept.
Winner: This Film Instead by Team Wyethian (Lead: Peter Moran // team members: Christen Leonard, Audrey O’Neil, Kelly Hennessey)
When we say that Andrew Wyeth: In Retrospect offers new perspectives on the life and career of this American master, one of the things we mean is that the exhibition explores the cinematic influence of Andrew Wyeth’s work. Wyeth drew inspiration from filmmakers such as King Vidor and Ingmar Bergman as well as visually influenced a wide range of moving image classics, from Twin Peaks to Texas Chainsaw Massacre. To imbue this new insight into Wyeth’s work with more dimension, SAM invited local filmmakers to create a short film over the course of a week inspired by paintings in Andrew Wyeth: In Retrospect during the Wyeth Film Sprint. There were very few rules, but the key was that the film had to incorporate one of the preselected Wyeth images.
Over 200 people attended the public screening on November 8 of 25 submitted films, followed by an awards ceremony honoring $500 each to three winning films. The judges were Patricia Junker, SAM’s Ann M. Barwick Curator of American Art; and local filmmakers and artists Clyde Petersen and Wynter Rhys. As well as the audience, which selected a winner. Here are the three winning films for your entertainment. We love them all. The Judges’ Pick, above, will linger with you, the Curator’s Pick grapples with the gossip surrounding Wyeth’s greatest muse, and the Audience Pick revels in the surreal oddity and dark humor that Wyeth dabbled in.
Curator’s Pick: Patti Junker selected a single film that she felt was most evocative of Wyeth’s practice and work.
Winner: Helga by Team Egg Tempera (Lead: Cody Whealy // team members: Sarah MacDonald)
Audience Pick: Visitors selected one film that was tallied at the end of the night.
Winner: New Tomorrow by Weird Dog Productions (Lead: Claire Buss // team members: Lindsay Gilbert, Amanda K. Pisch, Nick Shively, Andrew Hall, Dave Lubell)
“It’s an important painting on several levels. It’s really important within the Seattle Art Museum collection because it’s the only Pollock painting on display in Washington state. It’s a painting that marks the transition from his earlier style of painting to his classic drip technique.” – Nicholas Dorman, SAM Chief Conservator
We’re revisiting this video of our Chief Conservator working on Jackson Pollock’s Sea Change in 2014. In Nicholas Dorman’s words, the rocks and textures of the painting mean “it’s a brutal swab shredder” to remove a varnish that was applied to the painting in the 1970s. This particular varnish would have changed color over time and influenced the experience of the painting. See what Sea Change looks like now, on view in Big Picture: Art after 1945.
What’s your personal landscape? Watch our video series, Personal Landscapes, to hear from creatives, scientists, and an athlete on what draws their eye in Seeing Nature: Landscape Masterworks from the Paul G. Allen Family Collection. The exhibition features 39 historically significant European and American landscape paintings from the past 400 years. From Brueghel’s allegorical series of the five senses painted in the 15th century to David Hockney’s The Grand Canyon, completed in 1998, there’s something for everyone in Seeing Nature. See it yourself before it closes, May 23! Get $5 off between now and closing by using the code SEE$5OFF at check out.
“Everyone has a part to play in this tradition, whether you work with indigo or not. Anyone who wears blue jeans has a part to play in this tradition.” – Norbert Herber
What sound does a seed make? How about compost? Experience how digital images and color can translate to timber in the hands of Norbert Herber.
As you enter Mood Indigo: Textiles From Around the World you encounter a contemporary compliment to the historic scope of the exhibition exploring this vibrant dye. A collaboration between textile artist Rowland Ricketts and sound artist Norbert Herber, “Mobile Section” is a responsive and immersive installation combining a large-scale, hanging textile and field recordings of Ricketts’ indigo dyeing process synthesized using data from various conditions that produced the dye and color gradations of the cloth in the installation. Sensors in the gallery register people as they move around the installation and accelerate or decelerate the sound mix so that the audio element on “Mobile Section” will never sound the same twice.
See this work before it’s too late—it will be on view through October 9 in the exhibition Mood Indigo: Textiles From Around the World at the Asian Art Museum in Volunteer Park.
Mood Indigo: Textiles From Around the World is a chance to absorb a unique spectrum of global history from Flanders to Africa, tapestries to kimonos—the exhibition balances ancient fragments with the inclusion of an immersive contemporary installation by Rowland Ricketts, an artist working in traditional indigo dying techniques. “Mobile Section” is made up of a large, indigo-dyed textile, 11½ ft. tall by 30 ft. circumference, dried indigo plants, and a video illustrating the indigo cultivation and dying process. Watch this video with the artist for more information on his process and how, beyond the blue, indigo is about the deep connection of the physical labor that connects Ricketts to other people who have also worked with indigo.
Field recordings of Rickett’s indigo process—growing, processing, vatting, and dyeing—were synthesized in collaboration with sound artist Norbert Herber and the audio reacts to the movements of visitors in the gallery as they move around the large hanging textile. The work plays upon the notions of materiality and immateriality, and is a true multisensory experience.
You’ve got one more month to see Mood Indigo at the Asian Art Museum in Volunteer Park before it closes October 9. So go on, give yourself the blues.
Get in the mood for Summer at SAM open studio sessions with this short video by artist and videographer, Rachael Lang featuring a hand-dyed Isvald Indigo dress and the whimsical evening sky of Seattle.
Every Saturday in July you can learn to dye fabrics with Izzie Klingels at the Olympic Sculpture Park. These interactive open studio hours explore traditional methods of indigo dyeing using natural, organic indigo to create a communal installation celebrating indigo and indigo workers.
“It’s such a multi-dimensional dye, with luminance and depth that you don’t find with other dyes,” Izzie Klingels told City Arts Magazine in a 2015 article on her hand-dyed clothing line, Isvald Indigo. Using repurposed clothing typically sourced from thrift stores, Klingels clothing line is the most recent of her many endeavors which have included illustration, video, branding, and nail art to name a few.
“My style is loose and experimental,” she says. “You stitch or tie a design and you don’t really know how it will look exactly until you untie it.” Be prepared to bring a sense of experimentation to the Sculpture Park as you create pieces for the installation. Inspired by Mood Indigo: Textiles from Around the World on view at the Asian Art Museum through October 9, we’re sharing the unique abilities of blue to evoke moods by offering a way to become intimate with the process of dyeing using indigo.
Indigo-bearing plants have had a huge impact on our visual world. Once artists discovered plants containing the gift of blue, an infatuation with indigo began. Nothing compares with this dye’s ability to capture the blues of nature—a midnight sky, early dawn, or an impression of the sea. It can also define a mood—of melancholy, of mystery in the dark hues, or joy and vitality in lighter variations. Show us your true colors beginning Saturday July 9, 11 am.
Check out our newest video as a part of the My Favorite Things YouTube series featuring South Korean artist, Jung Yeondoo.
Jung is a storyteller who produces captivating narratives through images. A pertinent example of this is his Bewitched photography series, in which he seamlessly weaved together the stories of real and imagined paradoxes carried on by his subjects via hope, dreams, and longing. Through them, he loves displaying the inner selves that are usually invisible due to outward appearances. The images are on view as a part of the exhibition Paradox of Place: Contemporary Korean Art at the Asian Art Museum now through March 13, 2016.
In his My Favorite Things interview, Jung zeroes in on the installation,Indo-Persian Art at the Crossroads, which illustrated continuities between Indian and Persian painting while highlighting the subcontinent’s place as a cultural crossroads between Europe and Asia, (the installation was on viewat the Asian Art Museum through June 21, 2015 ). He believes that the abundant patterns and intricate details weren’t the most important aspects of the pieces, but rather that it was all about the viewer’s thoughts, feelings, and experiences with them.
Watch the interview, and head to our My Favorite Things playlist on YouTube to catch up on the rest of our artist interviews.