All posts in “SAM News”

Muse/News: The Peacock has landed, dudes talking in shops, and the woman who was first

SAM News

The Peacock has landed! The Seattle Times’ Steve Ringman captured colorful shots of the galleries, one of which also appeared on the front page of last Thursday’s print edition. An overview of the exhibition and related events also appeared their Weekend Plus section.

Check out more recommendations for the show in Seattle Met, Seattle Magazine, and ParentMap.

Last week, SAM announced the appointment of Theresa Papanikolas as its new Ann M. Barwick Curator of American Art. The Seattle Times had the exclusive, featuring an interview with Theresa.

All of SAM was saddened to hear of the passing of Paul Allen last week at the age of 65; SAM director and CEO Kim Rorschach shared her thoughts on the massive cultural legacy he left the city of Seattle with Crosscut.

Local News

We’re gonna need more Windex: Crosscut’s Aileen Imperial follows the Space Needle’s “Lead Glass Keeper” Paul Best on a typical day of keeping (literally) tons of glass clean.

Here’s two reviews of Polaroids: Personal, Private, Painterly, Bellevue Art Museum’s new show of found photos from the collection of Robert E. Jackson, by City Art’s Margo Vansynghel and Seattle Weekly’s Seth Sommerfeld.

Naomi Ishisaka for the Seattle Times interviewing Inua Ellams about his play Barber Shop Chronicles that runs for three nights at the Moore Theatre in November.

“It’s about cross-generational conversations about African masculinity and how that is compromised by the West . . . it’s about dudes talking in shops and it’s about men trying to find a safe space to be vulnerable.”

Inter/National News

Artnet’s Kate Brown explores a recent study that asks whether Leonardo da Vinci had a condition called exotropia that makes one eye wander off alignment—and whether it contributed positively to his work.

Hyperallergic’s Sarah Rose Sharp with a gentle skewering (ha) of the recent event-within-an-event of Banksy’s shredded print at Sotheby’s.

“If you like to hallucinate but disdain the requisite stimulants…” The New York Times’ Roberta Smith reviews Hilma af Klint: Paintings for the Future, now on view at the Guggenheim.

The idea that a woman got there first, and with such style, is beyond thrilling. Yes, I know art is not a competition; every artist’s ‘there’ is a different place. Abstraction is a pre-existing condition, found in all cultures. But still: af Klint’s ‘there’ seems so radical, so unlike anything else going on at the time. Her paintings definitively explode the notion of modernist abstraction as a male project.”

And Finally

The Royal Ontario Museum goes to pot.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Nina Dubinsky
Share

Muse/News: A Peacock party, a garment reborn, and a muse named Cardi B.

SAM News

Peacock in the Desert: The Royal Arts of Jodhpur, India opens to the public this Thursday! The Seattle Times highlighted the free community opening celebration, which will include live performances, an art market, music, and art making.

SAM’s Día de los Muertos Community Night Out on Friday, October 26, is featured as one of “6 free Seattle area events to celebrate” the annual holiday.

Seattle Bride Magazine on the “art of love,” highlighting SAM among its recommendations for the best local museums to host a wedding.

Local News

City Arts’ Margo Vansynghel shares the news that Cornish has awarded its 2018 Neddy Artist Awards to Lakshmi Muirhead (painting) and Timea Tihanyi (open media).

Poet Natalie Diaz was awarded a 2018 MacArthur genius grant; The Stranger’s Jasmyne Keimig wrote about her recent reading at Hugo House, which in part touched on the legacy of Edward S. Curtis.

Tamiko Nimura for Crosscut on Tacoma artist Anida Yoeu Ali, whose sequined “Red Chador” that appeared across the world was recently lost. The artist is mourning the garment as a death—and planning its rebirth.

“Because the work was disrupted she has to come back,” she says, “but in solidarity with other issues that are going on.”

Inter/National News

Hyperallergic’s Zachary Small on the Met’s announcement of next year’s gala exhibition: Camp: Notes on Fashion, a “complete 180-degree turn toward sacrilegious” following last year’s Catholic-themed Heavenly Bodies.

Artnet’s Eileen Kinsella on the long overdue retrospective of Charles White, who inspired notable artists as both an artist and a teacher. Kinsella asks, “why did it take so many so long to learn about him?”

The Studio Museum and the Duke Ellington School of the Arts have announced the gift of over 650 works of art from the collection of Peggy Cooper Cafritz, including works by Kerry James Marshall, Theaster Gates, and Nick Cave.

“Tia Powell Harris, the chief executive of the school, said, ‘It’s as if we will now have direct access to Peggy’s amazing vision, seeing the world’s possibilities as she did.’”

And Finally

Went from makin’ tuna sandwiches to Mickalene’s muse.

– Rachel Eggers, SAM Manager of Public Relations

Image: Shiva and Parvati in Conversation; Shiva on His Vimana (Aircraft) with Himalaya, Folio 53 from the Shiva Rahasya, 1827, Jodhpur, opaque watercolor and gold on paper, 16 1/2 × 45 5/8 in., Mehrangarh Museum Trust, photo: Neil Greentree.
Share

Muse/News: Sculptures in fall, erasure poems, and the wonderful Kerry James Marshall

SAM News

Curbed Seattle highlights the Olympic Sculpture Park as one of “26 best places to visit in Seattle this fall,” calling a visit to the sculpture park “the easiest way to feel artsy in Seattle without needing to spend half a day inside a museum.”

Peacock in the Desert: The Royal Arts of Jodhpur, India is featured in the Stranger’s “Complete Guide to October 2018 Events in Seattle.” Diwali Ball, SAM’s annual fundraiser, and Night Heat, the 41st edition of our film noir series, also get mentions.

Did you know that SAM’s design team makes awesome videos? Don’t miss this fantastic My Favorite Things video featuring sailor Marc Onetto talking about the accuracy of Louis-Philippe Crépin’s Shipwreck off the Coast of Alaska, now on view at SAM.

Local News

Mayumi Tsutakawa for the Seattle Globalist on a documentary film about two women who—75 years apart—chronicled the cultures of Melanesia; one of the two held an exhibition on her work at SAM in 1935.

Here’s Emily Pothast for The Stranger on 10 not-to-be-missed gallery shows in Pioneer Square on view in October.

Crosscut’s Brangien Davis has a lovely review of Ballast, the Frye Art Museum’s new exhibition; Quenton Baker’s erasure and invented form poems were inspired by a massive historical research project into a little-known successful 1841 slave revolt.

“On the museum walls, their voices emerge like ghosts from the inky morass: ‘I am a crisis arrived.’ ‘A cargo of alarm.’ ‘Answer me.’”

Inter/National News

Way to go, genius: Three artists, including painter—and SAM Knight Lawrence Prize winner!—Titus Kaphar, were named “genius” grant winners from the John D. & Catherine T. MacArthur Foundation.

Think pink! Hyperallergic’s Dany Chan reviews a new exhibition at the Fashion Institute of Technology exploring the many meanings—from pretty to punk—of the color pink.

I get Google alerts for Kerry James Marshall, and here’s why: this week Hyperallergic shared a wonderful essay he wrote about Bill Traylor, and ARTNews reported his wonderful reaction to Chicago’s sale of one of his murals.

“Considering that only last year Mayor [Rahm] Emanuel and Commissioner [of the Department of Cultural Affairs Mark] Kelly dedicated another mural I designed downtown for which I was asked to accept one dollar, you could say the City of Big Shoulders has wrung every bit of value they could from the fruits of my labor.”

And Finally

Say goodbye to the last good thing on Twitter?

– Rachel Eggers, SAM Manager of Public Relations

Image: Olympic Sculpture Park, 2015, photo: Nina Dubinsky.
Share

Seattle Asian Art Museum: A Storied Past Inspires a Bright Future

“Renovating a museum that is an architectural icon is no small task,” explains Sam Miller, Partner at LMN Architects, the firm overseeing the Seattle Asian Art Museum’s renovation and expansion design. Preservation of the landmark building is essential, but modern demands necessitate change. These changes include improved ADA accessibility, seismic and climate control upgrades, and other electrical/mechanical controls imperative to present-day museum standards. The renovation features a modest expansion that adds exhibition and educational space, allowing the museum to better serve the community.

The Art Deco building is considered one of architect Carl F. Gould’s greatest achievements. “Our goal has been to impact the existing spaces as minimally as possible,” Miller says of LMN’s approach to the renovation process. “When there’s any new intervention that’s not replicating or preserving the historic architecture, we’re distinguishing the work with a more contemporary detailing so it’s clearly different from the building’s historic fabric.”

Gould’s original design serves as inspiration to LMN’s renovation plan, as does historic Volunteer Park, designed by the Olmsted Brothers landscape architectural firm in 1903. “There is this beautiful building in a beautiful historic park, and yet the two weren’t connected. We felt restoring some of that connection would be a great opportunity,” Miller says.

He explained how Gould’s design incorporated skylights that flooded the galleries with light, as well as windows with views into Volunteer Park. However, later building additions and a transition towards artificial lighting closed off many of those elements. The renovations will include LED light boxes that allow display of light-sensitive objects in an environment inspired by the original skylights. LMN also designed a glass lobby addition that improves building circulation while also providing park views. Conceived by Gould as an indoor-outdoor space, the Fuller Garden Court will also offer those views, through two new openings that will connect it to the lobby. “As you stand in the Garden Court, you’re going to have this incredible view of the park,” Miller says.

The community was integral to the design process. SAM received feedback from the City, local parks groups, and other community members. In addition to suggesting changes to a building staircase and landscaping that were incorporated into the final design, the community also led the museum back to an important source of inspiration—the Olmsted Brothers’ historic design for Volunteer Park pathways. In response to this feedback, SAM is restoring a set of Olmsted-designed paths. This opportunity to complete and augment these walkways through Volunteer Park speaks to the nature of the restoration project: historic preservation that has led to design inspiration.

In the months ahead, we will continue exploring the future of the museum as the renovations progress towards the much-anticipated re-opening in 2019.

– Erin Langner, freelance writer

Images: Eduardo Calderón.
Share

Muse/News: A dazzling assembly, fantasy as a tool, and experiencing “experiences”

SAM News

Thump! That’s the happy sound of The New York Times fall arts preview hitting doorsteps. SAM’s major fall exhibition, Peacock in the Desert: The Royal Arts of Jodhpur, India, was featured in their round-up of “Over 100 Not-to-Miss Shows From East Coast to West.” The show traveling from the Mehrangarh Museum Trust was dubbed “a dazzling assembly.”

Peacock in the Desert opens October 18; it was also a Seattle Times pick for one of the “hottest Seattle events for October” and is among The Seattle Weekly’s choices for “the best entertainment the season has to offer” for fall arts.

Local News

Think tiny! Curbed’s Sarah Anne Lloyd shares that the Seattle Office of Arts and Culture has posted an RFP for “tiny cultural spaces.” Applications are due on Friday, October 14.

Seek help: Here’s two reviews on the Frye Art Museum’s current exhibition, Group Therapy, from Seattle Met’s Stefan Milne and Seattle Weekly’s Seth Sommerfeld.

The October issue of City Arts is out now, with features on writer Mattilda Bernstein Sycamore and poet Quenton Baker—and a blazing cover story on Double Exposure artist Tracy Rector.

“Rector’s ability to seduce through stories is the stuff of hallowed auteurs. But it’s her ability to vanish behind the story that makes her work so enthralling. Fantasy doesn’t always have to be an escape; rather a tool to reframe and change the world.”

Inter/National News

Yay for art history majors: When Denise Murrell’s professor ignored the Black servant in Édouard Manet’s Olympia, she made it her thesis subject—and it’s now an exhibition at Columbia that will travel to Paris’ Musée d’Orsay.

Five design proposals for a planned Boston monument to Marin Luther King, Jr. are now before the citizens of the city; the finalists are Barbara Chase-Riboud, David Adjaye, Hank Willis Thomas, Yinka Shonibare, and Wodiczko.

The New York Times’ “internet culture” writer Amanda Hess with a hilarious and haunting take on the now-ubiquitous pop-up “experiences” and what, exactly, they’re for.

“What began as a kicky story idea became a masochistic march through voids of meaning. I found myself sleepwalking through them, fantasizing about going to a real museum. Or watching television. Or being on Twitter.”

And Finally

Articles with titles like “Favorite Snacks of Famous Artists” will always get an instant click from me.

– Rachel Eggers, SAM Manager of Public Relations

Image: Maharaja Abhai Singh on Horseback, c. 1725, Dalchand, Jodhpur, opaque watercolor and gold on paper, Mehrangarh Museum Trust, photo: Neil Greentree.
Share

Muse/News: A SAM award-winner, kinesthetic truth, and art goes lunar

SAM News

This week, the Seattle Times shared SAM’s news that multidisciplinary artist Natalie Ball is the winner of the 2018 Betty Bowen Award. Ball approaches her sculptural work through the lens of auto-ethnography. Look out for the artist’s solo exhibition at SAM in spring 2019.

Our major fall exhibition, Peacock in the Desert: The Royal Arts of Jodhpur, India, is among the highlights in Zoe Sayler’s Seattle Times story on the upcoming visual arts season that promises “something for everyone.”

SAM participated in an important research collaboration between Artnet and In Other Words, exploring in-depth how institutions have—or have not—moved the needle on showing and buying art by Black artists.

RIP to the legendary architect Robert Venturi; he and his wife, Denise Scott Brown, designed the 1991 downtown Seattle Art Museum building.

Local News

Dance critic Sandra Kurtz previews Pacific Northwest Ballet’s Jerome Robbins Festival for Seattle Weekly, noting the iconic choreographer’s “kinesthetic truth.”

Seattle Eater reports: Food science nerd Nathan Myhrvold, creator of the Modernist Cuisine cookbooks, is opening a food photography gallery in SAM’s neighborhood.

Margo Vansynghel of City Arts spoke with artist Lawrence Pitre about community, the Central District, and his new narrative painting series We Are One at 4Culture.

“I knew the Central Area had been going through a lot of urban renewal. I went to see the Migration Series at the Seattle Art Museum and thought, I could do a series capturing urban life, showing the historical legacy of the Central Area.”

(Inter)National News

Just in time for the 10-year anniversary of the 2008 financial meltdown, a 26-foot-tall painted steel rose by German artist Isa Genzken has been installed in Manhattan’s Zuccotti Park, intending to inspire empathy and equality.

Speaking of the financial breakdown, the New York Times’ Scott Reyburn explores why “the art market remains one of the most glaringly visible symptoms of global income inequality.”

Artsy’s Scott Indrisek on photographer Robert Frank’s game-changing photography book The Americans, and why the monograph—turning 60 years old—matters today.

“’Frank revealed a people who were plagued by racism, ill-served by their politicians, and also rendered increasingly numb by the rising culture of consumerism,’ Greenough noted. ‘But it’s also important to point out that he found new areas of beauty in those simple, overlooked corners of American life—in diners, or on the street.’”

And Finally

“Finally, I can tell you that I choose to go the moon.”

– Rachel Eggers, SAM Manager of Public Relations

Image: Portrait of Natalie Ball by Greg Wahl-Stephens, courtesy of the artist.
Share

Muse/News: Man-altered landscapes, erasure poems, and a neon-hued restoration fail

SAM News

Don’t miss part two of Michael Upchurch’s write-ups for Crosscut on smaller installations now on view at SAM: this week, he highlights New Topographics, featuring photographs of “man-altered landscapes,” and American Modernism, which includes two incredible paintings from SAM’s collection by Georgia O’Keeffe and Marsden Hartley.

The fall edition of The Stranger’s Art & Performance Quarterly is out! Lots of SAM shows and events are among their critics’ recommendations, including the exhibitions Peacock in the Desert and Noble Splendor, the annual Diwali Ball, and film events Night Heat: The 41st Film Noir Series and Indian Film Masterpiece: The Apu Trilogy.

Local News

Sarah Anne Lloyd of Curbed Seattle tracks the important news of the Mystery Coke Machine’s sudden public appearances following its recent Capitol Hill dislocation.

Seattle poet Quenton Baker’s Ballast opens at the Frye Art Museum on October 6; Seattle Met’s Stefan Milne interviews Baker about his erasure poems examining the 1841 revolt aboard the Creole slave ship.

Brangien Davis of Crosscut interviews surgical nurse and artist Andrea Gahl about the doctor portraits lining UW’s surgical department hallway—and her new portraits that combat stereotypes about what a surgeon looks like.

“I hope my portraits not only illustrate the diversity of the surgeons I work with,” Gahl says, “But also the myriad ways that that diversity enriches us.”

Inter/National News

TIME Magazine highlights “31 People Who Are Changing the South,” including Bryan Stevenson of the National Memorial for Peace and Justice and Christy Coleman of the American Civil War Museum.

Artnet’s Caroline Goldstein with a round-up of the best and worst of the art world this week, including the discovery of hidden treasure (best) and an eye-popping restoration fail (worst).

The New York Times’ Holland Cotter reviews Soul of a Nation: Art in the Age of Black Power, which opens today at the Brooklyn Museum and explores expanding definitions of “black” art.

“The stakes were high, the debate could be bitter. But the results were win-win. What we see in the show itself is not suppression but florescence.”

And Finally

Finally some genius made the Pizza Patio Set.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of New Topographics at Seattle Art Museum, 2018, photo: Stephanie Fink.
Share

Muse/News: Small but mighty, a black velvet jaguar, and the definitive moment

SAM News

Don’t sleep on SAM: Now on view are several small but mighty installations. Michael Upchurch of Crosscut offers this excellent write-up of In This Imperfect Present Moment, and Seattle Magazine features New Topographics on its list of “13 Best Things To Do in Seattle in September 2018.”

Why, thank you! SAM was voted “Best Art Museum” in Seattle Weekly’s annual “Best of Seattle” readers’ poll.

Sarah Bloom, SAM’s Senior Manager for Teen, Family & Multigenerational Programs and Learning, was interviewed for this ParentMap feature that combines fall arts recommendations for the family with the reasons why exposure to the arts is so important.

“Building the skill of close looking is something we try to instill in children and caregivers together,” Bloom says. “Looking at art is a skill that you build over time.”

Local News

Margo Vansynghel of City Arts speaks with Maja Petrić, whose installation We Are All Made of Light is now on view at MadArt; it’s the latest of her “immersive experiences that get at the core of shared experience.”

Crosscut’s Brangien Davis on the Bellwether Festival, which debuts a revamped format this year with more happenings and a companion show at Bellevue Art Museum; I definitely want to see Tariqa Waters’ giant pack of Quilted Northern.

Emily Pothast of the Stranger reviews Pocket Full of Posies, Juventino Aranda’s first solo museum exhibition, now on view at the Frye Art Museum.

“Aranda’s work follows the magic all the way to its source, pointing to a reality where every manufactured object may be read as a text containing layers of history and meaning.”

Inter/National News

The United States Tennis Association has commissioned artist-designed tennis courts in celebration of the US Open’s 50th anniversary.

Manhattan’s High Line will debut a section devoted to art, with a new commission every 18 months. Up first: Simone Leigh’s Brick House, a 16-foot-tall bronze bust of combining human and architectural elements.

LaToya Ruby Frazier contributes to The Guardian’s “My Best Shot” series; the winner of the 2013 Gwendolyn Knight and Jacob Lawrence Prize talks about how she captured this photo of her “guardian angel” grandmother.

“I set up the camera and the moment she came into the frame, I moved in, sat next to her and asked her to look at the lens. I had no idea what her expression was, I just turned and pressed the shutter release – you can see it in my right hand.”

And Finally

The Louvre can have Beyoncé and Jay-Z; SAM has Saeed and Isaac! Keep an eye out in September for Buzzfeed’s AM2DM road trip stories from Seattle, including their visit to the museum.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of In This Imperfect Present Moment at Seattle Art Museum, 2018, photo: Natali Wiseman.
Share

Muse/News: Peacock struts, Black joy bottled, and art with an exclamation point

SAM News

Bring on fall arts! Previews of the upcoming season are now on newsstands. Peacock in the Desert: The Royal Arts of Jodhpur, India, is one of Seattle Met’s “35 Events to Catch This Fall” and is on Seattle Magazine’s list of “Everything you need to know about art in Seattle this fall.” Get ready to enter a kingdom of art: Tickets for the exhibition go on sale this Wednesday.

Last week, SAM sent summer off in a blaze of glory at the Olympic Sculpture Park, with the closing celebration of Summer at SAM on Thursday and the 10th anniversary edition of Remix on Friday. Check out Seattle Refined’s photo slideshow of Summer at SAM and Seattle Met’s look at our thrice-yearly arts bash, including an interview with SAM Manager of Public Programs Philip Nadasdy.

Local News

Crosscut’s Manola Secaira on the inaugural art show inside the new Mexican Consulate in the building that formerly housed the Harvard Exit Theatre; the show features ceramics by Adrián Gómez.

The Seattle Times gets us ready for “the hottest Seattle events for September,” including the Hugo House opening, PNB’s Jerome Robbins fest, and some Group Therapy at the Frye.

Another lovely video story from Crosscut’s Aileen Imperial: Hear from conceptual artist Natasha Marin about Ritual Objects, the third in her series of Black Imagination exhibitions about cultivating—even bottling—Black joy.

“And when that joy takes place, it is a resistance. It is a resistance against the narrative that usually defines us.”

Inter/National News

“Is This the Most Powerful Sculpture at the Met?” The New York Times’ Holland Cotter contributes to their ongoing “Why I Love” series with this reflection on a statue that both welcomes and warns.

Jasmine Weber of Hyperallergic reports that after 122 days of union bargaining, the staff of the Museum of Modern Art (MoMA) has secured a five-year contract that secures raises and benefits.

Artnet’s Eileen Kinsella on the Metropolitan Museum of Art’s new exhibition, Armenia!, and what an exclamation point in an exhibition title DOES, exactly.

“Is it a guttural battle cry? A shriek of surprise? A call across a crowded subway platform to an old friend glimpsed boarding a train? A eureka-like shout of stunned recognition that Armenia is the country whose art you long to appreciate the most of all?”

And Finally

Ariana’s Last Supper.

– Rachel Eggers, SAM Manager of Public Relations

Image: Maharaja Abhai Singh on Horseback, c. 1725, Dalchand, Jodhpur, opaque watercolor and gold on paper, Mehrangarh Museum Trust, photo: Neil Greentree.
Share
Share