All posts in “SAM Gallery”

Sea Change at SAM Gallery

Learn a little about one of the newest artists to join the SAM Gallery roster. Anne Marie Nequette‘s work will be on view in SAM Gallery from January –February 1 in the show New Art, New Artists 2020!

Nequette approaches her work from a background in sculpture, installation, and architecture. Her current body of work, Sea Change, focuses on the rapidly increasing displacement of people in coastal cities worldwide that are considered at high risk. She thinks about all of the people who live at the sea’s edge, and how water levels are now expected to rise, and where will those millions of people go? and how? She has long been concerned about “where we humans are headed regarding climate change, from forest fires to coastal flooding, from collapse of agricultural lands and practices to collapse of necessary species, oceans, and safe drinking water, etc. The power of water is something that many people underestimate, and only those who have survived a flood or hurricane have some idea of what that might be like.”

The idea and the initial list of cities for Sea Change came from an article in The Guardian in 2017.[1] It included interactive maps of Shanghai, Hong Kong, Osaka, Rio de Janeiro, Miami, The Hague, and Alexandria that showed the grave danger these cities face, given their high population numbers (Shanghai at 34.8 million in 2015) and/or precious agricultural land (Alexandria and the Nile Delta). She works abstractly, primarily in paint and collage. If she has been to the city depicted, she relies on her experience to create a color and texture palette from paper on which she draws and paints. If she has not been to the city, she reads about the city and travels via Google image, and Google satellite maps looking at the city from above as well as from the street, to get a feel for what it is like. As she works, she imagines a city that has become inundated, though not completely underwater.  Each of these works is titled with the population figures from governmental sources for the metropolitan areas and the works are named for the people, their cities, and the year the population number was last updated, i.e., ‘Shanghai, China, 39.4 million in 2015’.

– Pamela Jaynes SAM Gallery Coordinator 

[1] The three-degree world: the cities that will be drowned by global warming, (Friday, November 3, 2017) Josh Holder, Niko Kommenda and Jonathan Watts (updated May 28, 2018). 
Bangkok, Thailand, 14.6 million in 2010, Anne Marie Nequette, Collage on canvas. Keihanshin (Kyoto, Osaka, Kobe), Japan, 19.3 million in 2010, Anne Marie Nequette, Collage on canvas.
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SAM Gallery Artist Kellie Talbot Travels for Art

SAM Gallery artist Kellie Talbot travels across the country with her husband, cat, and duck, in a truck pulling her mobile studio, an Airstream trailer they named Mr. Salsa. Kellie Talbot’s America on view at SAM Gallery September 4–29, showcases some of her newest works. Talbot has established a national reputation for her oil paintings of the neon signs scattered across America. In the last two years, her family has driven 36,000 miles, through 29 states, in pursuit of source material for her paintings. She plans her route, knowing where certain signs are located, but is always open to possibilities and unexpected opportunities. Some of her favorite signs and memories come from happening upon them. One unexpected ice storm led them to Vaughn, NM (population 446), where Talbot found one neon sign after another.  She was out in the snow, climbing on her Airstream trailer to get photographs for future paintings. When she’s traveling the country, Talbot says “I photograph almost every sign I come across because when I am in collecting mode I don’t want to pass up any potential. Sometimes it’s more obvious. Some of those obvious ones have an iconic shape or beautiful neon that just demands to be painted.”

Once Talbot returns to her studio in Seattle or New Orleans, she relies on reference photos from her trip, to paint photorealist paintings of the signs that represent the landscape of American artifacts, craftsmanship, and history. Talbot describes how “once I am in my studio I spend a lot of time with my reference material planning out a body of work. I like to have a balance of close-ups mixed with landscapes. I like there to be a push and pull of sorts. Some signs are small but I paint them big while others I can enlarge just portions. Almost every sign has the potential to be painted. I just have to find the aspect of that sign I want to paint.”  Talbot is often drawn to a particular letter or shadows from a sign. Focusing on a smaller portion of the sign allows the viewer to enjoy the shapes, shadows, and colors in a new way. Talbot intentionally includes the rust and decay in the neon signs she paints. These details aren’t negatives to the artist, they are signs of time and experience, both an elegy and a hope.

Meet the artist at the opening reception on Thursday, September 5, 6–7:30 pm at SAM Gallery.

– Pamela Jaynes, SAM Gallery Coordinator

Image: Courtesy of the artist.
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SAM Gallery Artist Creates a Healing Environment

For her recent commission for the Seattle Cancer Care Alliance (SCCA), SAM Gallery artist Niki Keenan created 11 paintings focused on healing environments. SCCA brings together the leading research teams and cancer specialists of Fred Hutch, Seattle Children’s, and UW Medicine. The treatment rooms in their newly expanded SCCA outpatient clinic in South Lake Union feature Keenan’s work.

Niki Keenan’s paintings are inspired by the natural world, specifically sunrises and sunsets in Seattle. She uses dynamic, bold colors to paint water scenes with bridges and reflections from the vantage point of a boat. Keenan writes, “Each of the paintings in this series depicts a Pacific Northwest bridge, most of them are in Washington State, one is in British Columbia, Canada. I use these bridges as a way to frame the sky, as a way to show off the sun’s rays dancing around the architecture and as an anchor to a specific place. These brilliant sunsets and sunrises are happening all around us and by showing them happening in places we recognize, it makes the experience a shared one. Also, I believe bridges are symbolic of journeys in that they help us get where we want to go.”

In the new treatment rooms at SCCA, Keenan hopes her paintings will help transport viewers and give them something new to focus on, during their treatments. She believes “being transported during times of stress and uncertainty, is such a gift and so vital for healing. Paintings can literally turn a regular wall into a portal and the place you get to go in my paintings is full of hope, happiness, light.”

Keenan began showing her work at the SAM Gallery in 2018 and was quickly discovered by local collectors. SAM Gallery supports local artists and their careers by increasing their exposure and finding audiences for their work. 

– Pamela Jaynes, SAM Gallery Coordinator

Photo: Dave Keenan. Images: Niki Keenan.

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Muse/News: A little Prince, four women, and Beyoncé’s Homecoming

SAM News

Crosscut’s Brangien Davis talks with artist Troy Gua—a SAM Gallery favorite!—about his devotion to depicting Prince (you have GOT to see the closet of tiny Prince outfits). Gua’s work is now on view in Prince from Minneapolis at MoPOP and Le Petit Prince at SAM’s TASTE Café

There’s four more selections in SAM’s British Comedy Classics film series, with a gem being screened every Thursday. The Stranger continues to include the series in their round-up of “Movies Worth Watching in Seattle.” 

Local News

The Stranger’s Jasmyne Keimig on Mari Nagaoka’s solo show at The Factory, Honey, which features large-scale portraits of queer people within the artist’s community—rendered in ballpoint pen.

Terry Furchgott solo show, Intimate Interiors: Women at Home, is now on view at Harris Harvey Gallery; Real Change’s Lisa Edge talks with the artist about her work depicting women comfortable in their domestic solitude.

The Seattle Times’ Crystal Paul talks with Seattle legend Valerie Curtis-Newton on her direction of the upcoming Seattle Rep play, Nina Simone: Four Women, which imagines a meeting of the four women from Simone’s song.

“I found that in making plays, I get to make community and it can be different kinds of community. But that’s the thing ultimately, to get people to talk about important and difficult issues, by entertaining them and then provoking them.”

Inter/National News

Homecoming, the documentary directed and everything-ed by Beyoncé, hit Netflix this week; the New York Times’ Aisha Harris says the artist “puts herself directly in conversation with voices from black American history.”

The Guggenheim’s groundbreaking Hilma af Klint exhibition closes next Tuesday. Artnet’s Ben Davis reports that the show’s over 600,000 visitors has made it the museum’s most-attended exhibition of all time.

Notre-Dame Cathedral caught fire this week; here’s Steven Erlanger on the historical site’s many meanings. And donations skyrocketed for three Black churches destroyed by arson after a signal boost from Yashar Ali.

“It’s universal, Western, religious, literary and cultural, and that’s what makes it different from any other object. It’s the whole spectrum from the trivial to the transcendent, the sacred to the profane.”

And Finally

Consider the Keanu.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of “SAM Gallery Presents: Troy Gua’s Le Petit Prince At TASTE,” photo: Natali Wiseman.
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SAM Gallery: 45 Years!

Did you know that SAM Gallery has been around for 45 years?! In 1973 the Seattle Art Museum’s Rental/Sales Gallery was started by a visionary group of docents led by Jackie Macrae. They operated out of a space in the Seattle Center, selling the work of local artists in order to raise money for SAM’s volunteer programs. When the gallery turned out to be successful, a part-time employee was hired in 1989. That person was Barbara Shaiman, a local ceramics artist who also ran Shaiman Contemporary Craft. Shaiman worked for the Seattle Art Museum for 24 years and continues to attend openings, as well as show her own work. In 2000, Jody Bento began to work for Shaiman at SAM and today, Bento continues to oversee the gallery. In the 45 years that SAM Gallery has rented and sold Northwest contemporary art, it has mounted hundreds of shows including thousands of Northwest artists. Check out the current roster of SAM Gallery artists.
To celebrate this milestone, we’re sharing some photos from over the years. Join in the success of the gallery and spend time with some of SAM Gallery’s Northwest artists at the opening for the 45th Anniversary Show on First Thursday, November 1.
Images: Photo: Natali Wiseman. Jody Bento, left, Barbara Shaiman, right, pictured with paintings by Deborah Bell. Photos: Ben Benschneider. Attendees at SAM Gallery opening, 2017. Jody Bento, Associate Director SAM Gallery, pictured in the gallery’s Seattle Tower location. Photo: Jen Au.

 

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SAM Gallery Artists on Seattle: Jennifer Zwick

What would your self portrait look like? How would you pose a friend or family member for a portrait? What props would you include? The artwork in Splitting Image, on view in SAM Gallery through July 9, will have you thinking again about the age-old tradition of portraiture. Hear from one of the artists in this show on how the art world of Seattle impacts their photography, on view now to rent or buy from SAM Gallery.
One thing I appreciate most about making art in Seattle is the supportive and collaborative art community. From Matthew Offenbacher’s The Gift, where he used his Neddy Award to buy art by talented, underrepresented artists (which he then donated to SAM); to inventive curators like Sierra Stinson and Greg Lundgren, who are every bit as creative as the artists they celebrate; to brilliant community shapers like Elisheba Johnson who are putting power in the hands of the people with programs like Public Art Boot Camp—Seattle’s art scene is doing a pretty great job of living up to the text-based mural of another inspirational local artist and art professional, Kristin Ramirez: A City Makes Herself.
On a personal level this is born out within my constructed narrative photograph The Moment (currently on display at SAM Gallery). It depicts a mother and daughter accidentally sharing a fleeting connection. A young girl has stacked books to try and reach the ceiling, while one floor above, her mother bends to pick up a piece of laundry. In this moment their hands line up, as though touching. To make this image I constructed a life-sized 2-story set, which I was able to build inside the now-empty Imperial Lanes on Beacon Hill. When you see this photo in person (and I hope you will) you can find books by local authors and artists hidden throughout the picture (Jessixa Bagley; Annie Marie Mussleman; Jenny Riffle; Sarah Galvin). The mother in the photo, Selina, and I have known each other since summer camp, and we went through the UW Photo program together. Now we both have children of the same age, and it was profoundly touching to make this with her and her daughter. How strange, and wonderful, to be in a cross-sectional two-story set, in an abandoned bowling alley, with my friend from Pacific Rim Camp! Maybe this is happening right now, all across Seattle—people gathering in unusual spaces, working together to make something completely new.
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SAM Gallery Artists on Seattle: Christopher Kroehler

Having lived here all of my adult life, Seattle has played a huge role in shaping me and helping me find my voice as an artist.

I first moved to Seattle so I could study painting at the University of Washington. I lived in a downtown loft space on the corner of Seventh Avenue and Virginia sharing the building with musicians, sculptors, filmmakers, writers, photographers, and painters. I took classes from influential professors like Jacob Lawrence, Michael Spafford, and Curt Labitzke who helped guide me as a young artist.

Over the years, I’ve spent countless hours sketching in cafes around the U-district and in restaurants and bars throughout the city. I was drawn to the vibrant neighborhoods of Fremont and Capital Hill which fed my creativity and I found calm walking the beaches along the sound and nearby parks.

My paintings are a reflection of the people and places I have grown to know and love. I implement images from a variety of sources including sketches and photos I have taken around town over the years. I paint on vintage windows salvaged from local buildings being transformed. As I repair glazing or touch up the wood frames, I think about the history and stories behind the window and what was seen through the glass. I like the depth that this adds to each of my paintings.

Next time you’re downtown, stop by SAM and enjoy some time with my cast of characters on display at TASTE through August 6.

– Christopher Kroehler, SAM Gallery Artist

Image: They Were There for Deb, Christopher Kroehler, 30 x 30 in., oil on plexiglas.
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SAM Gallery Artists on Seattle: Elizabeth Lopez & Dana Roberts

Seattle and the surrounding area means many things to many people. Even among the artists whose work is on display in Inside Game at SAM Gallery, there are varied reactions to relocating here or living on the outskirts of this still slightly wild city. From the subdued silence of Seattle compared to Texas, to the striking shades of green crowding the San Juan Islands, the locale has a distinct impact on the inspirations and introspection of local artists. See for yourself with a visit to SAM Gallery to see work from the artists in Inside Game, on view through May 6.

Elizabeth Lopez

I remember when I first visited Seattle five years ago deciding if we wanted to live here, we arrived early to a restaurant, sitting with my back to the empty patio. After our two-hour lunch, I turned around to a patio packed with people, but it was still so quiet I was shocked. No hootin’ and hollerin’ like back in Texas. And that has been my experience here. Everyone keeps to themselves. Daily life on public transit everyone is silent. No nods hello from acquaintances on the street. This in turn magnifies the tons of daydreaming I do since I’m not talking. So the work I’ve made while in Seattle is very introspective. The result is from concentrated ideas that have been in my head like salt water taffy moving over and over, changing a little, but tracing an obsessive path in my brain. I always wait with anticipation to see how people will respond to my work, because these are my images based on ideas based on daydreams with vague appearances from things in my life. The artist community here has been super welcoming, so this is my attempt to connect with my other fellow Seattleites.

Dana Roberts

I live and paint in a rural outpost of Seattle—San Juan Island—where I have dwelt upon the same piece of land for over 35 years. Our house is in a clearing in the woods. Vegetation overflows around us: fir trees, cedars, alders, maples, willows, thickets of salmonberry and elderberry, wetland grasses, nettles.  Summer brings endless shades of green. In winter, we are presented with all sorts of bare branches crisscrossing, fallen limbs and trees, trees broken off and still standing. It is a cacophony of messy nature. There are no vistas: all is seen from a close-up viewpoint, all the edges, the complexity along those edges. Nothing stands out as a focal point. One never quite knows where to look. So, one just keeps looking, here, there, here again, eyes always in motion. The eye gathers all those disparate bits of vision, flickering, changing, moving, and somehow assembles them into a semblance of unity. These particular paintings of mine in Inside Game are exactly that way.

Images: Lambent Rabble, Elizabeth Lopez,  48 x 36 in., mixed media on canvas. Owl Light, Dana Roberts, 48.5 x 52 in., oil on linen.

 

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SAM Gallery Artists on Seattle: Laura Van Horne

Seattle is that rare location where it isn’t trite to make conversation about the weather. Right now it’s that time of year where elsewhere in the world the sun is beginning to shine again, but in Seattle the sky is still a solid grey. SAM Gallery artist, Laura Van Horne doesn’t mind the muted monochrome of Seattle in the spring. Instead, she feels it is the perfect backdrop for the colorful paintings she currently has on display at TASTE Café. Learn more about the artist and see her paintings on view through May 6. If a pop of color is what you need in your life right now, consider renting or buying art from SAM Gallery.

Laura Van Horne (@lauravanhorneart)

I grew up in Winnipeg, Manitoba, Canada and moved to Seattle, WA in 1994. During my schooling I spent several winters in North Dakota, Boston and New York, so was thrilled to move to mild-weathered Seattle. I am not bothered by the rainy season here in the Pacific Northwest, as it gives me a perfect excuse to spend the day inside, painting at my studio. I feel my work is greatly influenced by my surroundings. Living in Seattle is breathtakingly beautiful. I love to go for walks and photograph everything around me, and am especially drawn to the trees, which frequently show up collaged into my encaustic paintings. My body of work is often abstract and landscape inspired with lots of layering.

The Geode Series, which is on display now at TASTE Café in the SAM is packed full of color which is in contrast to the gray palate of Seattle. Gray is the perfect backdrop for these pops of color.  These abstract paintings have evolved from years of experimentation with an elixir of inks, pigments, paints, and resin used on a variety of substrates. The result appears organic and scientific with geodes, human cells, irises and orbs coming to mind.

Images: Kiwi Cocktail, 2018, Laura Van Horne, encaustic, ink, metal on board. Courtesy of the artist.

 

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