For the Love of Art Member Profile: Stephanie Daud

STEPHANIE DAUD (+ husband John, kids Iris and Jonah)
35–44
Stay-at-home mom
Family member since 2012

What’s your occupation? What are your hobbies or passions?
SAHM (stay-at-home mom). Going places, reading novels, sewing, and gardening.

What’s your favorite SAM location? Do you have a special spot to visit?
My 3-year-old daughter’s favorite spot was the giant rat sculpture, Mann Und Maus, at the Seattle Art Museum. I love visiting the Italian Room—thinking of the families that once used the room gives me an unparalleled sense of history (for the PNW); it calms me and reminds me of what is important in life.

For the Love of Art

What do you love about being a SAM member?
I grew up 100 miles away from any fine art museum, so visiting one was always a special and unique event.

I love that I can now visit what I consider “my” museum in a much more casual way. I don’t have to plan ahead and if I miss something one day, I feel like I can easily return. The museum and its exhibitions are still special, but I have a very comfortable relationship with them now.

I love this story! It’s good to hear about that change in your life. Can you explain more about why you value art as a family?
I think it is important. It’s good to appreciate the beautiful things that people make. I consider John an artist and I am not an artist at all, but I like to look at art.

We want to raise the kids in a place where they are comfortable appreciating art—and not just saying something is pretty, but being able to talk about it on a deeper level. Even if some of the art is weird—that’s ok. It’s really fun to talk about weird art with a three-year-old. It really distills what is going on.

In the 2015 Pop art exhibition, Pop Departures, we saw the inflating water bottle [Ice Bag–Scale B by Claes Oldenburg]. Iris perceives it as a robot because it moves. We talked about why it is moving and that’s what we figured out about it.

I want to raise the children in a way where we can take it for granted that we are going to see these things. To the point where it’s not a special privilege, even though it is. I think frequent exposure can help them understand that art can always be a part of their normal life.

SAM camp is a great way for your little ones to roll up their sleeves and get creative. Camp begins July 11 and SAM members always receive discounted registration. Spots are going fast—sign up your artists in training today!

For the Love of Art Member Profile: Libby Hughes

LIBBY HUGHES
11th grader
TAG student member

Libby, you’re part of SAM’s Teen Arts Group. Why did you join?
Yes. Because it’s a volunteer service and also because I really, really like art and it sounded really cool to get involved in it.

What do you like about art?
Well, I really like doing art and I like looking at how other people do art and seeing what they think of. What I really like is how people decide to do art, like imagination and stuff like that…

Art is so personal. We have had people sit here and say, “Well, I didn’t like art for a long time and then I realized…”
Well, I used to draw and then became interested in looking at it.

What is your favorite part of TAG?
I really like meeting the people and I really enjoy just interacting with art and doing all these cool things. We did tours for Teen Night Out and just this semester we recorded audio tours which was really cool.

Do you think art is important for society?
Yes, I do. I think it’s a way to express yourself and it triggers emotions. It’s how you portray the world—you’re showing how you see the world to other people.

Do you have a favorite piece of artwork here?
I really like the Italian Room just because I did the audio tour for it. So I learned about it. Yes, I thought it was really interesting. Art-wise, I really like—it’s not out right now but it’s a mouse—looks like a black rat on the bed. That one is my favorite.

Why do you like it?
I don’t know. It’s kind of creepy and I don’t want to be like, “Oh, I like creepy art work,” but I really like artwork where it invokes a lot of emotion. And the first thing you think is, “Oh, that’s creepy” and you think about it a lot and why it’s there. I really like artwork that makes you think.

I like Mann und Mouse. A lot of people like it, actually, which I think is interesting. A lot of kids like it—really little kids. I could see that maybe they think it’s a cute mouse. It’s funny because it is a little bit scary—but little kids are often drawn to scarier things than we give them credit for.
Yes, I think people think kids should be too sheltered but I think people should, even when they are little, know what sadness is and stuff. And artwork can do it.

What role do you think artwork plays in that?
Well, for me it was always a part of it and I always loved to draw and my dad was really into painting, too. He was always showing artwork. I always thought it was a way for people to express themselves. Even things like sadness or dangerous things. I remember when I was little my dad brought home this magazine and it was called High Fructose and all the pictures in it were really creepy, but I thought it was super cool.

Do you know what you want to do when you “grow up”?
I really want to be a character designer for games and stuff.

Do you think being in a museum now relates to that? Is it helping you think about that?
Well, it is definitely a kind of artwork. It’s not exactly the type I was looking at but I do really like looking how other people do it. What kind of artwork other people do and seeing what’s popular and what people like and what’s interesting…

How long have you been part of TAG?
I started last semester and this is my second semester, so about a year now.

Are you going to keep doing it?
Yes, I’m probably going to keep doing it until I graduate. I really like it.

Calling all high-school aged teens—take over the museum during Teen Night Out this Friday, May 6! Get loud with incredible DJs, teen art tours, and art making workshops led by Seattle’s coolest contemporary artists. Free—RSVP on Facebook.

My Favorite Things: Sandra Jackson-Dumont on Mickalene Thomas’ “Hair Portrait #20”

As one of the most beloved collection works currently hanging at Seattle Art Museum, we weren’t surprised when SAM’s former Deputy Director of Education and Public Programs and current Chairman of Education at the Metropolitan Museum of Art, Sandra Jackson-Dumont, chose Mickalene Thomas’ Hair Portrait #20 to be the subject of her My Favorite Things video.

When i walk in here I see reflections of people who look like me, but i also see a major contribution to the art-historical cannon.

Noting the exclusion of black women from portraiture in western art, Thomas turns her subject into a dazzling, glamorous icon. The work packs a walloping visual punch, spanning 300 inches wide with each face tiled in a different hue, moving from light to dark, from visibility to near invisibility, the Warholian repetition of a single image is given entirely new meaning.

Also, we really miss Sandra.

We love Sandra Jackson-Dumont!

My Favorite Things: Jung Yeondoo on Indo-Persian Art

Check out our newest video as a part of the My Favorite Things YouTube series featuring South Korean artist, Jung Yeondoo.

Jung is a storyteller who produces captivating narratives through images. A pertinent example of this is his Bewitched photography series, in which he seamlessly weaved together the stories of real and imagined paradoxes carried on by his subjects via hope, dreams, and longing. Through them, he loves displaying the inner selves that are usually invisible due to outward appearances. The images are on view as a part of the exhibition Paradox of Place: Contemporary Korean Art at the Asian Art Museum now through March 13, 2016.

In his My Favorite Things interview, Jung zeroes in on the installation, Indo-Persian Art at the Crossroads, which illustrated continuities between Indian and Persian painting while highlighting the subcontinent’s place as a cultural crossroads between Europe and Asia, (the installation was on view at the Asian Art Museum through June 21, 2015 ). He believes that the abundant patterns and intricate details weren’t the most important aspects of the pieces, but rather that it was all about the viewer’s thoughts, feelings, and experiences with them.

Watch the interview, and head to our My Favorite Things playlist on YouTube to catch up on the rest of our artist interviews.

For the Love of Art Member Profile: Kristin Yamada

KRISTIN YAMADA
Fashion trend forecaster, Nordstrom
Member since 2013

What’s your occupation? What are your hobbies or passions?
I am a Fashion Trend Forecaster for the Nordstrom Fashion Office. My greatest passion is travel and my most dedicated hobby is catching live music as often as possible.

What does being a Fashion Trend Forecaster mean?
I work to support various other teams in Nordstrom’s company. My team constantly keeps our eyes on everything that’s going on in culture and the world of fashion so that we can work to help predict—for our buying offices, the right product to buy; for our product group, the right product to develop and design; and then for our marketing group, the right product and trends to tie together in marketing campaigns and catalogs.

Eventually, for the Nordstrom customer, when they are shopping, it’s all cohesive. They’re seeing the same themes in our Nordstrom stores, product lines, and marketing that are important and trending at the moment. It’s a lot of in-depth research, collaboration, and intuition.

What does your day-to-day look like?
Day-to-day is very busy. We are constantly keeping track of all things on the rise. We follow runway, street style, blogs, forecasting agencies, and culture at large. We incessantly travel and shop the markets, whether it’s trade shows and fashion weeks or just hitting retail to see what’s currently on the floor.

We come back to the office, discuss everything we’ve all seen, and connect the dots to align on what we believe in. We answer the question: “What trends are right for our Nordstrom customer?”

It sounds fun.
Lots of fun! It is hard work, but it’s a great team so we have a ton of fun doing it.

SAM Member Kristin Yamada2

That sounds fairly creative. Do you see ties between what you do and the art world?
Absolutely! I think that’s half of why I love SAM so much—just going to the museum. Half the inspiration I take for myself, my own creative projects at home and just being inspired, and of course the other half is it helps me with my work.

I love going to SAM and coming back inspired by either a piece or the mood in the museum. It wasn’t too long ago that you had Future Beauty, with all the amazing Japanese designers. There’s never a time when I come out of SAM that I don’t feel inspired either personally or for my work.

Do you think things like art and fashion are essential to society?
Yes. I think fashion is a part of art—in general the bigger picture of art—and I think art is…it makes life fun, right? We need to eat and sleep, but it’s all the other colorful things between that make everything exciting and worthwhile.

That’s definitely a yes for me.

What do you love about being a SAM member?
What I love most about being a SAM member is not only the unlimited access to such wonderful and endless inspiration for work and personal life alike, but also all the joys of the SAM community.

SAM Remix is always marked on my calendar! It brings such a creative group of people together to collaborate and celebrate the beauty of art. And who doesn’t love a reason to costume and dance?!

What’s your favorite SAM location? Do you have a special spot to visit?
It’s hard to choose one location over another. SAM downtown is at the core of my earliest museum memories and the beautiful walk through Volunteer Park to get to the Asian Art Museum is half the fun in visiting. However, if I have to pick I’d select the sculpture park. In the summer, doing crafts while overlooking sailboats in the sunset, with live music at your back…it’s hard to beat.

Remix is very social—is art a social activity for you?
Yes, I love Remix and I go to pretty much every single one of them, not just because it’s the fun party, the great art, the crafts, the dancing, but also for the SAM community, the arts community, which is strong here.

I think it would be a very rare occasion to go to a SAM event and not walk away having met some very interesting people—and quite often people that I keep in touch with. I think the community is a huge part of why a lot of us come to the events.

So what prompted you to join SAM?
I joined…I believe…My earliest memory of SAM is from when I was very little. The King Tut exhibition was traveling and I visited with the family years and years ago.

And I was around growing up but then I moved away to New York so I would pop in when I came to visit. It was in the past couple of years, when I moved back to Seattle permanently, that I had the opportunity to join SAM as a member because I had the opportunity to visit more often.

And of course when there is something you enjoy so much, it’s great to be able to support that cause. You feel like you are doing your piece to make sure that it lives long.

Join Kristin as a SAM member today and don’t miss our upcoming SAM Remix on March 11—members save on tickets and enjoy a special members-only bar at the event.

Honor MLK at Art & Social Justice Tours

SAM is celebrating Martin Luther King, Jr. with a week of spotlight tours, focusing on works on view in the galleries that relate to themes of race and social justice. We invite you to celebrate Dr. King’s legacy here at SAM.

Visit the galleries at noon today through Monday to participate in a different tour each day, led by members of SAM’s curatorial and educational staff:

Jan 13: Carrie Dedon, Modern and Contemporary Art Curatorial Assistant & David Rue, Education and Curatorial Intern

Jan 14: Marcus Ramirez, Coordinator for Education & Public Programs, and Lindsay Huse Kestin, Museum Educator for Teen, Family & Community Programs

Jan 15: Jeffrey Carlson, Collections Coordinator

Jan 16: Pam McClusky, Curator of African and Oceanic Art

Jan 18: Chiyo Ishikawa, Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture

All tours are free and open to all. Participants will need to purchase a gallery ticket, but no special exhibition ticket is required. We invite you to join the conversation.

Image: Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library. “Martin Luther King, Jr. (left) and Eslanda Goode Robeson (right).” New York Public Library Digital Collections. Accessed January 13, 2016. http://digitalcollections.nypl.org/items/a7d0e925-f8b7-eff6-e040-e00a18060357

My Favorite Things: Alejandro Guzman on Kane Quaye’s Coffin

Drumroll please…

…we’ve launched another YouTube video series!

Check out My Favorite Things, (the video companion to the in gallery tours by the same name), where artists discuss some of their favorite artworks in SAM’s collection. We have five videos up on our My Favorite Things playlist on the SAM YouTube channel so far, but today we’re focusing on a single artist in the series: Alejandro Guzman. Born in Puetro Rico, Alejandro now works and lives in New York City.

Alejandro is a contemporary mixed media and performance artist who creates “performance sculptures” that have an active life as catalysts, generating what he calls Creative Misunderstandings. His act of giving sculptures a dynamic life has led to the creation of a family of Creative Misunderstandings with titles such as Mendacity, Class Wars, Intellectual Derelict, and The Fatalist. The sculptures were on view at SAM June 18 through September 7, 2015 as a part of the exhibition, Disguise: Masks & Global African Art.

For the exhibition’s opening celebration, Night of Disguise, Guzman collaborated with a team of local artists and dancers for his nGangulero: an activated group of sculptures which came to life, moved around the gallery, and performed unexpected exchanges that integrated music, video, and dance. It was a sight to behold for all in attendance, and an invigorating activation of the museum space.

In his interview, Alejandro discusses one of his favorite pieces at SAM: Mercedes Benz Coffin by Ghanaian artist Kane Quaye. He selected this object because he believes it to be a living form of sculpture that affects both the artist, the deceased one, and the community. This feeling of connectedness and life after creation is exactly what Alejandro aspires to do with his own sculptures and performances.

Watch the interview, and then subscribe to our My Favorite Things playlist on YouTube so you don’t miss a single artist interview.

SAM Lights Pro Tips

Our second annual SAM Lights event is happening this Thursday evening, December 17 from 6-9pm! To help you make the most of your experience at this popular event, we’ve come up with a list of pro tips from SAM staff members to ensure a fabulous time is had by your friends and loved ones.

Pro Tip #1: Arrive throughout the evening
The entire evening is filled with art, lights, music, and more. Feel free to arrive at the time that makes sense for you, your family, and your personal preferences!

Pro Tip #2: Get out and enjoy the park beyond the PACCAR Pavilion
Come bundled up and show everyone how Seattle does winter! Take part in the energetic procession of music and light down the Z Path led by the Chaotic Noise Marching Corps at 7:15 pm. Don’t miss your only chance to see Andy Behrle’s light installation, apparition.

Pro Tip #3: Take public transportation
Garage parking will not be available this evening, so be sure to bus to the sculpture park!

Pro Tip #4: Grab a hot drink
Keep toasty while you explore the park’s lights. Buy a warm drink from Taste or Hot Revolution Donuts, or bring your own.

Pro Tip #5: Hang out in the Garage
The Garage will be decked out with lights, DJ Sharlese from KEXP will be spinning for you all night long, and food trucks will be serving up some sweet and savory treats. Check out 314 Pie and Hot Revolution Donuts and take a break from the rain and enjoy your eats in the City Arts Lounge.

Pro Tip #6: Become part of the show
Wear your best light-inspired ensemble and become a part of the art experience.

Pro Tip #7: Take the event program with you
Know before you go by accessing the SAM Lights program from your mobile device at visitsam.org/samlights.

See you there!

Photo: Nathaniel Willson

For the Love of Art Member Profile: Laurie Strong

LAURIE STRONG
Retired psychotherapist
Individual member, first joined 1996, lapsed then rejoined 2014

Why do you come to SAM?
I come to SAM to be reminded and inspired. After retiring I turned toward my first love: art. Making, seeing, thinking, dreaming art of any and all sorts. Easily visiting SAM more frequently is the inspiration for my current move closer to Seattle. Until you asked, I didn’t realize what an influence SAM is in my life, even though I haven’t visited that often (but soon will!).

I want to ask more generally about what role you think art plays in society. Do we need art?
We absolutely need art. I was a child psychotherapist for many years, studied at UW, what-have-you, and art therapy was at the very beginning. It’s kind of out of favor now, but you know, to communicate with an incommunicative child through art is a wonderful thing. As a young woman working there I would sit on a little bench like this, and he would draw and I draw.

Art is communication to me, absolutely, always. And it communicates how you feel, it communicates how you see. Going through the art museum you don’t see a lot of angry stuff, but there is a lot of anger in art, it just explodes and sometimes you just absolutely know what the artist was feeling, even if you are totally wrong—so yes, to me art is ultimately communication.

And then, depending on who you are, if you are attuned to pattern or you’re attuned to color—and some people are and some people aren’t—then the patterns in a piece of art, and how they play…it can be calming or exciting.

The patterns in art and the colors in art really connect to our emotions because of what’s in us, not so much because of what’s in the artist. Because we intrinsically see and put things together in a way that is specific to us as individuals.

Laurie Strong
Do you make art?
I do! I actually made these earrings.

When you get old you can’t wear heavy earrings and I always, because I was so tall, wore big, bulky earrings and had to give them up. So I just started making these and I do a variety of things. You can look at my website. On my blog you will see what I do.

I started out in life being very attracted to the arts and doing art in grade school and what-have-you and then you know, because of when I was born and real life, you had to do something to support yourself. I had children and we didn’t have that much money and my art just went by-the-by and took second place. Then as I got older, when I was the director of the mental health center in Port Townsend…if you threw a rock up there you would hit an artist or a gallery. And so we had art therapy for the adults there.

We had a whole program and a lot of the schizophrenic patients and other people like that did art. We would put on art shows periodically and then various staff who wanted to would put on another show. If you look at my blog you’ll see that way at the bottom is a book art that it’s obviously an Indian image. It’s bright red. That was the first thing I did when I was at that center and we started doing art. Then I just totally got back into it again. That’s me and art.

That’s great! That’s really fun. Did you raise your family around art?
Yes. I did and I didn’t. One of my sons thinks he’s doing art. He unfortunately suffers from mental illness so sometimes he does these things. But my daughter makes her living doing art in Monterey and the Peninsula with all those rich people down there. She does decorative household art. Some people flew her to France to make the steps in their villa look older and be decorated. Nice life indeed! She really works hard and I think on her website you can see her doing art in a rotunda—she’s an artist. That’s actually a very old-fashioned way to earn a living as an artist. Like Michelangelo used to do. House decorator.

And her son is a photographer and he lives here. And my other son has no artistic talent whatsoever. There’s always one. My daughter and her son are practicing artists so she makes her living doing art and her son has had photography shows and what-have-you, I’m not sure he’s doing a lot of it right now.

Do you have a favorite piece of art here? Do you have a favorite in general? Do you like a genre?
Here? No. Things change for me. I like art as color and pattern and decorating so there is something I would like in that, that I might not like someplace else. I am pretty broad, actually. You know, I’m not all that impressed by Rembrandt, because the subject matter is boring to me. I like more splash.

It all depends, you know. I just love lots of different things.

Join Laurie as a SAM member today.

For the Love of Art Member Profile: Brian Nova

BRIAN NOVA
Jazz musician
Friend member since 2004

Brian Nova has been a member of SAM for over a decade. His membership—like all memberships—supports programs at the museum, including tours and workshops for students, talks by visiting artists from across the world, and the preservation of more than 24,000 objects in our collection.

When we sat down to talk on a sunny day at the Asian Art Museum in Volunteer Park, Brian had just flown in from Napa Valley. He’s a jazz musician, and travels all over the country playing music. His enthusiasm for the arts was catching, and we all felt lucky when he picked up his guitar and played for a little bit as his picture was being taken.

What role does art play in society?
As a touring jazz artist, for me art plays one of the most important roles in society. It unites people of all races, religions, and cultures by giving us a deeper, more meaningful connection. Art forces all who look, feel, or listen, to look, feel, or listen a little deeper. Art helps us to look within ourselves as well as each other.

Art is the fiber that allows connections between those who dwell there. When we look back upon past cultures, past societies, it is the art of that culture, the art of that society, that is remembered, admired, and built upon.

You’re a jazz musician! What do you play?
I play guitar and sing.

You do this professionally?
I do. I tour all over the world doing this. It’s my job. I tour with a lot of different people. I just moved back to Seattle; I was living in the South for a while. I grew up in Seattle. I spent a lot of time on Capitol Hill and in Volunteer Park.

The Asian Art Museum was always a place I would hang out, write music, and just become one with the place.

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Do you have memories of the Seattle Art Museum?
Oh, absolutely. I remember coming in the ’60s and early ’70s when I was a kid. My parents dragged us through—as kids we didn’t want to come.

Since then I have brought my niece and nephew both to the Seattle Art Museum and the Asian Art Museum—twice this past year. Getting them used to the world of museums and world of history and getting a bit of art and culture in their lives. It’s getting harder and harder to find and I travel all over the world. So when we have a place like SAM here, I say, “You kids are coming with me.”

Why do you think that’s so important for them?
Well, I am an artist. This is my world. So without art…you know, it’s the lack of art in our culture that has given us no back-up. For me, when I travel around the world, what stands out from all the old civilizations is their culture and that’s all it is. No one cares about their commerce; no one cares about anything else. Maybe a little bit of architecture and science, which is still art. That is what holds true in every society. We are looking for: “What is your culture?”

To be able to look back at other cultures and get an eye into what they were thinking and going through—I think that’s invaluable. I think the arts, coming from the music side—they’re essential for growth in kids.

I think that at any age you are never too old to pick up an instrument; you are never too old or young to come into the museum and learn about the world, art, and culture. To me that’s why places like SAM are so important.

How long have you been a member of SAM?
Since the late ’90s. I have belonged to the de Young Museum in San Francisco from about the same time.

Do you remember what prompted you to join?
Yes, actually, it was through jazz. They had just started doing the Art of Jazz program at SAM. I got called to do it. I was blown away at how gorgeous it was.

Also, I lived in a building not too far away and my neighbor worked at SAM. She said if I wanted to go she could get me a pass. I went with a friend and I couldn’t believe Seattle has a place like this. With the Hammering Man and all…

I thought wow, this is really different than I remember. SAM was around when I was young but not as prolific as it is today—and with the park…! It’s pretty cool with all the events they are doing and everything.

SAM has really grown up and I am just so happy to be here.

Join Brian as a SAM member today.

For the Love of Art

When we think about what SAM is—What makes us stand out? Why do people want to spend time here?—the first thing that came to mind is you.

Without all the people walking through our doors every day, bringing great energy, insight, and passion to the art, SAM wouldn’t be the same. Without your voices and active eyes and ears, our events wouldn’t be anything at all.

And when we drilled a little deeper, to ask why you come here, we decided that instead of guessing, we should go straight to the source, and ask our members.

Everyone had fascinating things to say. Everyone has a story to tell.

We were overwhelmed with great responses about how people feel about museums, about SAM in general, with memories of people’s creative childhoods, and explanations of what their favorite piece of art is and why.

There was a common thread—when you get right down to it, people come to SAM because they love art. They live creative lives because they love art. They come to events and connect with others because they love art.

Everything we do, too—the exhibitions we bring, the events and programs we organize, the efforts we make to bring Seattle together as a community—it’s all for the love of art.

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We had such an amazing time talking to our members! Your feedback fuels our work, and makes us want to do even more to connect art to life.

Keep an eye out for these member stories over the coming year. We’ll feature the interviews on the blog once a month. (Pssst: Sign up for our enewsletter so you know when the interviews go up!) You’ll also start to see “For the Love of Art” pop up in the museum and in SAM magazine, our print newsletter for members that goes out three times a year.

And—we’re going to want to hear your story, too. Keep an eye out—we’ll be asking you why you love art and what you do to show that love.

Want in on the fun? A great way to start building your art community is to join SAM as a member and get to know all these other amazing people.

Photos: Scott Areman.

HAMMERING MAN BECOMES THE “12TH MAN” ON FRIDAY, JAN 16

Show your Seahawks support this Friday, and join Hammering Man as he transforms into the 12th Man! For the third year in a row, we’ll be honoring our hometown team by projecting the number 12 on Hammering Man by artist Jonathan Borofsky.

Wear your Seahawks gear to the museum tomorrow and get in for free!

At 6 pm, we’ll light up the 48-foot Hammering Man at 1st Ave and University St with the number 12.

GO HAWKS.

Image: Joshua Trujillo/seattlepi.com

Teens Make The Change They Want To See In Their Neighborhood

This fall Seattle Art Museum’s innovative art and design program Design Your ‘Hood (DYH), is joining Seattle’s Park and Recreation Department for a series of teen workshops through December 20 where high school students learn to be design-thinkers and change-makers by exploring visual art, architecture, design software, urban planning and social activism.

The intensive multi-session workshops are focused on visual art, design, and community change. Students receive hands-on experience and become change-makers within their community by exploring architecture, design software, urban planning, and social activism.

This season, SAM has tailored the DYH project for Seattle’s Park and Recreation Department’s Youth Employment and Service Learning Program (YES). This program focuses on providing hands-on experiences for youth that will allow them to develop well-rounded skills, especially in terms of job readiness.

YES students have an opportunity to search for, identify and examine free youth arts opportunities in Seattle and create a space using models that they propose and design.

As part of the program, students participate in a series of field trips around the city to investigate art and design strategies. These experiences have been designed to inspire teens in their own design work as well as expose them to the diversity of professional art and design practices.

The workshop features community partnerships with Seattle Architecture Foundation, Bassetti Architects, The Wing Luke Museum, The Beacon, The International District, Panama Hotel, Olympic Sculpture Park, The Bullitt Center, Asian Art Museum, Volunteer Park and Amanda Bryan Architect.

These organizations lead tours, facilitate discussions, and provide tutorials and workspace for the youth designers. They are able to utilize the expertise of professional designers and development officials to make informed decisions about their own projects.

All of this will come to an exciting conclusion on December. 20, where students will articulate their proposals through a presentation, showcasing their process, design and 3-D models at the Miller Community Center with an awards ceremony following.

–Bianca Sewake, Seattle Art Museum Communication’s Intern

 

One Night Only: Teens Take Over SAM!

What better way to end the year than with a banging celebration? The Seattle Art Museum is hosting its popular Teen Night Out this Friday, December 5—an action-packed night of live music, art-making workshops, and art tours—just for teens.

You can dance the night away to DJs and bands in Seattle, including a headline performance from the all-female surf rock group, La Luz. Wander around on an art tour to see all of SAM’s collection, including the two featured exhibitions. Pop Departures is an electrifying bold collection of pop art commentary on American culture over the last 50 years with works from iconic artists such as Andy Warhol.

City Dwellers: Contemporary Art from India showcases the many complex influences behind Indian’s urban culture through photos and sculptures, .

Seattle’s hottest contemporary artists will lead fun art making workshops based on the two exhibitions. Have your face painted to look like one of Roy Lichtenstein paintings, complete with a speech bubble or get your hands painted with beautiful henna designs.

You can also create your own art, which will be made into a collage that will be on display at the Teen Center at the Seattle Central Public Library.

The best part? That’s just the beginning and the entire event is free! You don’t even have to register.

So join us for an unforgettable night!

-Bianca Sewake, Seattle Art Museum Communication’s Intern

TEENS TAKE OVER! ART LAB AND TEEN NIGHT OUT ARE BACK!

Art Lab
May 1, 2014, 4-7 pm
Seattle Art Museum
Chase Open Studio
FREE

Teen Night Out
May 2, 2014, 7-10 pm
Seattle Art Museum
FREE

Teens are taking over! I am so excited to announce details about the upcoming Art Lab and Teen Night Out!

Want more access to studio art making? Join us for a FREE Art Lab on Thursday, May 1, the day before Teen Night Out! This month’s Art Lab is Epic Sketch: Comic book design inspired by Salish art and symbols with Jeffrey Veregee. Stop by the drop-in lounge in the Chase Open Studio. Supplies and snacks provided. Check out more details here on SAM’s calendar.

Then, on May 2, drop by SAM for an amazing Teen Night Out featuring the musical act Tacocat as the headlining performer. Not only is Tacocat a local pop punk band, but Tacocat spelled backwards is still Tacocat—yay for palindromes.

Other Teen Night Out highlights include music from DJ Sharlese, henna by Junior ASHA, and art activities by Xavier Lopez Jr. and Ryan Henry Ward from local “Henry” street art. And don’t forget about the Naramore 2014 Seattle Public Schools (SPS) Middle School and High School Art Show in the Community Corridor on the first floor—join us for the Naramore closing reception and awards ceremony at 6 pm before Teen Night Out starts.

There will be many other awesome activities inspired by our current special exhibition Miró: The Experience of Seeing. Teens will receive FREE access to Miró, as well as the rest of SAM’s galleries.

As a Teen Arts Group (TAG) member turned communications intern, I will be walking around the event updating SAM Teens social media. Stay tuned on the Seattle Art Museum Teen Night Out Facebook page and SAM Teens Instagram for more updates. Show us your best #SAMselfie in our photobooth. If you post pictures from Teen Night Out, don’t forget to use our hashtags #TNOmiro and #SAMteens.

– Maddie Thomas, Seattle Art Museum communication’s intern

SAM TALKS: NANDIPHA MNTAMBO

Join the Seattle Art Museum Friday, November 8 in the Plestcheeff Auditorium at 6:30 pm as we welcome Swaziland native artist Nandipha Mntambo for an engaging and enlightening discussion about the art of bullfighting and one’s relationship with cows. Her hide sculptures, performance videos and startling photography put ancient mythology and contemporary reality in a new framework.  Don’t miss this opportunity to hear from the 2011 Standard Bank Young Artist Award winner.

Mntambo’s talents include photography, videography, taxidermy and sculpture. Taxidermy and her interest in chemical processing are the backbone for her unique sculptures where she fuses the dichotomy between humans and animals by rendering the female form with the treated hides of cattle.

The artist combines fluidity, nature and femininity to create truly mesmerizing work. One can’t help but wonder how Mntambo creates a fixed sculpture with a tremendous amount of detail from a once pliable cow hide. Take the time to discover more about her inspiration and interests that led to success and international recognition!

Check out the SAM Calendar for more information.

By Hilary St. Clair, Communications Intern

Nandipha Mntambo, Photo: Tim Aguero

SAM Talks With Valerie Steele

Do you consider yourself fashionable? Creative? Curious? Well, whether you’re the world’s next top fashion designer or, like me, just a compulsive shopper, SAM Talks this Friday, July 19, is sure to intrigue, inform, & inspire you.

This SAM Talks will be given by someone that I am particularly excited about, Valerie Steele. For those of you who don’t know, Valerie Steele is the Director and Chief Curator of The Museum at the Fashion Institute of Technology (MFIT) in New York City… but that’s not all! She is also a fashion historian, and has been described as one of “fashion’s brainiest women” and a “High-Heeled Historian!” She has even been on the Oprah Winfrey Show.

… Ha! You thought I was done, didn’t you? Not quite!

Steele is also the renowned author of several books, including that which coincides perfectly with SAM’s current exhibition, Future Beauty: 30 years of Japanese Fashion, Japan Fashion Now. Japan Fashion Now, both the exhibition and accompanying book, were completed in 2010, and explored what has been called Japan’s “fashion revolution,” beginning in the 1980’s.  From this “fashion revolution” emerged an innovative and radical notion of what fashion is, one that played with the unusual, both in terms of materials and design, and the imperfect. 

In this talk, Steele will discuss and analyze this movement by exploring the ingeniousness and influence of Japanese fashion designers, such as Issey Miyake, Yohji Yamamoto, and Rei Kawakubo! — These designers (and many, many others) are featured in Future Beauty – Don’t miss the opportunity to expand your knowledge, improve your style, or just hang-out and listen to one of the most interesting people in the world of fashion!

For More Information Visit: http://www.seattleartmuseum.org/calendar/eventDetail.asp?eventID=26286&month=6&day=19&year=2013&sxID=&WHEN=

Caroline Sargent, Communications Intern

Valerie Steele, Director & Chief Curator of The Museum at the Fashion Institute of Technology (MFIT).

Remix: It’s Got What You Need

As a brand-new intern at SAM, my very first assignment involved getting up close and personal with the details of the upcoming Remix (as in tomorrow, Friday, June 7!), and let me tell you, the night is jam-packed with good stuff. After learning about all the events, activities, and performances planned, it’s no surprise I’m counting the hours until the doors open, and you should be, too!

Every quarter, SAM holds Remix, an after-hours, 18-and-older event, drawing hordes of party-goers to SAM Downtown to get an intimate view of the museum’s latest exhibition, test their own art-making abilities at various activity booths, watch some unbelievable dance performances, and, of course, bust a move (or two, or ten) of their own.

This season’s Remix event is centered on the Modern exhibition The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States and promises to be nothing short of a modern explosion and an event that you don’t want to miss.

Come see SAM after dark, this Friday from 8 pm–midnight, when the lights turn low and the jams turn up.

DJ Riz kicks the night off in the Brotman Forum with an irresistible, groove-inducing variety of soul-meets-pop-meets-hip-hop beats.

As if that weren’t enough reason to linger, the Brotman Forum will also play venue to three performances by Seattle’s Alchemy Tap Project, whose dancers bring a whole new modern flavor to tap dancing.

Want even more dance?

Head up to the third floor galleries for Modern art-inspired dance vignettes by Seattle-based Salt Horse.

While you’re there, take advantage of SAM’s aptly-titled My Favorite Things: Highly Opinionated Tours to get a fresh and highly opinionated (surprise!) look at SAM’s Collection Galleries. With a wide array of knowledgeable and outspoken guides to choose from, the only way you could possibly go wrong with these tours is by not taking one.

After seeing Fifty Works for Fifty States, you’ll no doubt be itching to start an art collection of your own (if you aren’t, you might want to get your pulse checked), and SAM’s got you covered.

Head to the Chase Open Studio area where artist Joey Veltkamp and other local artists will be waiting to create and exchange mini artworks with you in the SAM Mini Fair; grab a FREE Remix tote bag to store your goods!

If all this dancing, art collecting, and opinion-hearing has you feeling wiped, swing by the Rec Room for libations at the bar and some good, old-fashioned (but not) bingo. If you’re envisioning a room in Florida with faded floral prints and a slow-moving ceiling fan, stop right there. This is not your grandmother’s bingo (and if it is, you’ve got one cool grandma).

Hosted by the fabulous members of the Sisters of Perpetual Indulgence, this bingo has a modern (art that is) twist with cards featuring pictures of SAM’s favorite modern artworks. One game in, and you’ll be dying to make a habit of it (SAM is not responsible for any pun-related injuries).

With all the excitement and endless stream of options offered, you may just feel like a kid in a candy store. If you want to make that metaphorical candy a reality, TASTE Restaurant is open ‘til midnight to keep your sweet tooth satisfied. Didn’t I say SAM’s got you covered?

Whatever venue you favor, be it the dance floor, the art exhibition and galleries, or any of the numerous SAM creates studios (minimalist jewelry making, anyone?), one thing is for certain: SAM Remix has everything you need to make this Friday a night to remember.

-Carter Stratton, Communications Intern

Photo by Robert Wade.

Remixed for the Very First Time

As the newest PR intern, it is slightly embarrassing for me to say that I have never been to SAM Remix, but this March 8 will be my very first time. As disconcerting as my lack of experience may be, I have made up for it with enthusiastic research and comprehensive interviews, which I believe present an authentic representation of the evening. It is my deepest desire that the following information may help other Remix newbies better prepare themselves for the upcoming SAM Remix. Read More

Women in Film: Reel Girl tours and Riot Grrrl scores

Tonight SAM downtown is centering its lens on women in film with tours by local leaders in the film world and a special screening of Lynn Hershmann Leeson’s recent documentary !Women Art Revolution (2010, 83 mins) starting at 7:30 pm in Plestcheeff Auditorium.

!Women Art Revolution traces the impetus and organization of the Feminist Art Movement during the 1960’s through its rise from a subculture of women artists during the anti-war and civil rights era to its difficult acceptance into our cultural narrative.  The film, for which Leeson collected footage and interviews for 40 years to create, discloses the Feminist Art Movement through interviews with artists such as Yoko Ono, Carolee Schneemann, Eleanor Antin, Judy Chicago, Rachel Rosenthal, and the Guerrilla Girls among others. The candid interviews describe how women artists took a cue from groups such as The Black Panthers to organize and speak out against cultural institutions for engaging in gender discrimination.

The film features an original soundtrack by Carrie Brownstein, guitarist of Washington Riot-Grrrl rockers Sleater-Kinney, whose roaring guitar riffs provide a very pertinent sonic landscape to the film. Sleater-Kinney, named after I5 off-ramp No. 108 in Lacey, Washington, declared an indefinite hiatus in 2006. You can check out Brownstein’s current group Wild Flag performing “Romance” live from Mellow Johnny’s Bike Shop during KEXP’s broadcast at South by Southwest in 2011 here. The soundtrack also features songs by Janis Joplin, Laurie Anderson, The Gossip (Olympia natives), Erase Errata, and Tribe 8.

In addition to the screening of !Women Art Revolution SAM is hosting two My Favorite Things: Highly Opinionated Public Tours by local women working in the film world; Beth Barrett and Robin Held. As Programming Manager of the Seattle International Film Festival Beth Barrett will share her favorite works and, hopefully, have a couple of highly opinionated comments of her own to offer. Robin Held, Executive Director of Reel Grrls a local organization that empowers young women through creating film and digital media, will co-lead a tour of Elles with local dancer-choreographer Catherine Cabeen.

– Ryan Peterson, Program Assistant

!Women Art Revolution movie poster

A Glimpse of Seattle Art Museum’s School Tours- Art Workshops

After exploring works by many women artists in the Elles: Women Artists from the Centre Pompidou, Paris and Elles: SAM exhibitions, how can students be encouraged to make personal reflections? How can they explore the ideas and challenges provoked by these works of art? Can this reflection be a creative personal exploration of their own experience?

In SAM’s school tour art workshops, professional Teaching Artists engage school groups of all ages with these questions. Teaching Artists are employed by SAM to enrich our education programs with hands-on arts projects that provide an additional way of learning and understanding the art students see on their tours. These projects encourage students to take on art and creativity to express their own experiences. Each teaching artist holds a different background in art and in teaching. They are all professionally trained artists and teachers and come to SAM to join both art and education in one place. Here in our art studios students can explore their own artistic creativity with the guidance of working artists.

The art workshop developed for the Elles: Pompidou exhibition focuses on issues of identity, gender and stereotypes.  Gender Stereotyping, or standardized portrayals of males and females, is something everyone witnesses in everyday life. In the streets, in a classroom, in our communities and homes there are images attached to certain gender roles. In the Elles art workshop students are asked to think about commonplace assumptions of the roles and images that can be attributed to women and men. Sometimes these standardized attributes can be hard to see and should be observed more closely to get to the root of how stereotyping has shaped our ideas of gender.

What better way to explore associated relationships amongst an assortment of stereotypes than in a collage? Students look through popular and vintage magazines to find images that speak to them about familiar gender stereotypes. They collage these images, advertisements and words onto a poster. The poster presents bold statements through eye-catching images, questioning media messages. Some collages contain vibrant colors and blunt phrases with pictures from women’s magazines. These collages explore challenges about what women are expected to be: a lady, a housewife, a mother, a cook, or a lover.

Images are taken out of their intended context to make us re-examine where we feel they belong and why. The collage collects art and experience into one gathering place and so doing, beckons us as viewers to question how we look and what symbols we associate to certain gender roles.

All SAM’s School Tours can be joined with an Art Workshop, each of which integrates a project related to the themes of the tour. All our Teaching Artists have been working at SAM for several years and are extremely experienced in presenting art in an encouraging, accessible way for students of all ages. Come by our Chase Open Studio on the Grand Staircase where many of the student art projects are showcased and where visitors are welcome to make their own art during their tour of the museum.

For more information on SAM’s School Tours & Art Workshops, email schooltours@seattleartmuseum.org

Taking a tour for the team: Athletes take the reins of Elles

With this week’s My Favorite Things:  Highly Opinionated Public Tours at SAM Downtown two local athletes will be giving  tours in conjunction with Elles: Women Artists from the Centre Pompidou, Paris. Katie Hultin, goal keeper for the Seattle Sounders, and Parisa Asgharzadeh, of the local Seattle Breakers Women Rugby Team, will each be taking the reins of tour guide beginning at 6:30 and 6:45 PM respectively. As athletes take over the galleries, the way physical activity is shared by athletes and artists alike came to mind.

 

In 1992, the Seattle Arts Commission installed what is arguably the city’s most iconic piece of public sculpture. Jonathan Borofsky’s Hamming Man is known by practically everyone who is familiar with SAM. Tourists passing by on Ride the Ducks tours take snapshots of the sculpture as they pass by on First Avenue, and fellow workers downtown can feel a silent bond with the steady swings of the hammer. Of his sculpture, Borofsky stated, “The Hammering Man is a worker. The Hammering Man celebrates the worker. He or she is the village craftsman.” The Hammering Man reminds us that whether we are laborers, artists, or athletes our physical efforts become rewarded when we work together toward, as Borofsky upholds, “a happier and more enlightened humanity.”

 

This week’s My Favorite Things tours made me think of the Hammering Man not only for the relationship of physical activity that artists and athletes both share, but because of an anecdote I remember as an undergraduate student in Art History at the University of Washington. In one of my early survey of Western Art classes, we were given a writing assignment on a piece of public sculpture. Borofsky’s Hammering Man was one of the works we could choose to write about, and the TA for this class, who was very knowledgeable with Seattle’s offering of public sculpture, had her own highly opinionated critique of the monumental laborer on SAM’s First Avenue doorstep. It was her view that the gender of the sculpture was a woman rather than a man, and that this is an observable, if not subtle, fact that could be seen in a curve just below the stationary arm of the sculpture. Although I didn’t quite agree, the point she made is significant for alluding to the tendency to see the Hammering Man as a man, rather than a woman, or a figure that is inclusive of more than one gender representing a diverse population.  The oversight is unfortunate yes, but my TA’s slightly tongue-in-cheek claim reminded us of the activity and achievements of women artists, athletes, and laborers.

Our tour guides this week will undoubtedly have some interesting points about their own experiences with the art on view in the Elles exhibitions, and I’m excited to hear how they feel about some of the works on display.  I feel that artists and athletes alike are working toward similar outcomes in their craft. After the countless hours of training one’s body to perform at the highest level of physical activity the ability to carry out the actions and designs of the game exist for the sublime moment when we finally capture a win. Shutouts and upsets are going to happen, but whether it’s the art of the game, or art for itself, it is the physical elation of that eventual success that we work so hard to create.

 

– Ryan Peterson, Program Assistant

A Glimpse of SAM’s School Tours

My name is Paige Smith. I work in the School & Educator Programs Department at the Seattle Art Museum. I have interned and worked at SAM for a little over a year now, and in all of my different positions I’ve learned so much about the museum’s role as an educational institution.  My current position as the School Tour Greeter has given me the most exposure to how important educators are to the museum and the critical role they play in bringing art and people together. I have a great admiration for educators and a strong personal and professional goal to become an educator, thus the opportunity to work with school tour groups and with SAM’s wonderful Docents seemed not only a great experience for me, but also sounded fun! The School Tour Greeter serves as mainly a liaison between school groups who come for a tour and the Docents who lead the tours. In this position I communicate with Docents about any extra information they may need to know about their school tour group. I also make sure the Teaching Artists are in the art studios and prepared for the school groups that join their tour with an art workshop.

Docents play an essential role as educators in the museum. Observing their strengths in educating all types of groups has been very inspiring. Docents are volunteers who apply to become a touring guide for school, public, and private tours. They endure a lot of training and lead many types of themed tours for all the permanent collection and special exhibition galleries at all three SAM sites ( SAM downtown, The Seattle Asian Art Museum, and Olympic Sculpture Park). I get to witness an incredible exchange between students, docents, and teachers as they prepare for their venture into the art galleries.

As the students and teachers enter the museum they move all in one organic mass. Sometimes entering as one herd, shuffling close together, or sometimes entering more fluidly, spreading out as their minds ponder the new open space they’ve filtered into: the museum. Docents greet them eagerly and the relationship between guide and school group begins. Students of different ages present different kinds of energy and the Docents can interpret and immediately bounce off this energy with much enthusiasm, friendliness, encouragement and leadership. I’ve seen Docents lead all ages of students from little kindergarten tots to angsty high schoolers and they handle them all differently. I had a conversation with docents Karin Roth and Ann Hardy about guiding a group of kindergarten students after their tour. Karin was very excited about how engaged her group was. She said it was very different from her experiences guiding high school students because of how eager these young toddlers were to engage themselves in what they were seeing, whereas teenagers are often more reserved or can be preoccupied with other teen worries or social dynamics. They both enjoy any group type but Karin was exhilarated by how differently they interact with her and how she was able to gear her tour towards their responses.

Docents cater their language, questions, and explanations to the age and the types of group dynamics they observe from the start. The distance the group has come, the type of school they attend, and teacher they come with all influence the dynamic of the group. It is exciting to watch how docents can read the dynamic and then accentuate different aspects of the museum and exhibits to encourage the group’s particular interest and intellect as much as they can.

Docents come from a diverse background of different professions and experience with teaching, but I cannot emphasize enough how devoted each Docent is to bringing art and art history into a personal level of connection for each student. As educators of the museum SAM Docents bring a whole world of knowledge and adventure to the experiences of each individual school group, and every tour is a different adventure!

History in her own words: Eleanor Antin’s Conversations with Stalin

Without much exaggeration Eleanor Antin could be called the King of conceptual and performance art. Working mainly in film, video, and performance Antin is often cited as one of the first artists to reintroduce autobiography, confession and performance to the art world during the 60’s and 70’s. In 1972 Antin created her male alter-ego with the photographic and video series “The King of Solana Beach,” in which an apprehensive king is shown reconstructing his own past by collecting pieces of his broken kingdom. Her video “The King” (1972) stands as a journal entry of the King’s evolving identity as well as showing Antin’s striking transformation from her male persona to own herself, and is on view in the exhibition Elles: Women Artists from the Centre Pompidou, Paris.

For Antin art is not necessarily an object or something that can be historically defined, but something close to her own individuality, or a memoir of history retold in her own words.

Early on in her career Antin made her name as a conceptual artist by creating works that successfully diverted traditional means of art making and artist representation. For instance her work 100 Boots (1971) used the US Postal Service to distribute photographs of 100 boots Antin had placed in various Southern California locations. The scenes were printed onto postcards and sent to artists, writers, dancers, art institutions and libraries at 3 to 5 week time intervals to create a puzzling visual narrative. The boots became travelers and characters in a two and a half year journey that finally culminated in a solo exhibition at the Modern Museum of Art in New York in May of 1973.

Her recent photographic series attempts to re-enact and modernize historical narratives by placing them under the context of contemporary American life.Helen’s Odyssey (2007), inspired by the Greek legend Helen of Troy, recasts Helen as two individual roles to exemplify polar sides of her personality. Antin shows both Helens in various scenes reacting differently to scenarios based on the Greek myths of Homer, who the beautiful and vengeful Helen eventually murders. History is here recast to portray the two Helen’s as contemporary versions of their ancient characters carrying large totes and wearing thick rimmed sunglasses.

watch?v=Wfn0I5p1dHE

Her recent memoir, titled Conversations with Stalin: Confessions of a Red Diaper Baby (2010), is a black comedy detailing Antin’s life growing up in New York in a family of first generation Jewish, communist immigrants in the age of Stalin. Join Antin for a performative reading of her new book this Saturday at Seattle Art Museum.

Seattle Art Museum

“Conversations with Stalin” by Eleanor Antin

December 1, 2012

2-3 pm

Nordstrom Lecture Hall

Ryan Peterson, Program Assistant

Eleanor Antin, “The King,” 1972. Video (black and white, silent), TRT: 52 min. Courtesy of Electronic Arts Intermix (EAI), New York.

 

Vigorous Sounds: Women in Music at SAM

This Wednesday night, we are excited to host French soprano vocalist Donatienne Michel-Dansac at 7:00 PM. As a guest vocalist to the Seattle Symphony Donatienne Michel-Dansac is bringing her voice to SAM as part of our musical programming in conjunction with the exhibit Elles: Women Artists from the Centre Pompidou, Paris. Her performance follows Seattle Symphony Orchestra harpist Valerie Muzzolini-Gordon’s gallery performance during SAM Remix earlier this month.  Taking place amongst Sophie Calle’s photographic series Exquisite Pain in the fourth floor galleries, Muzzolini-Gordon performed elegant compositions by French composers in response to artists featured in the exhibition. Muzzolini-Gordon’s sustained harp tones echoed over the gallery space and lingered into the next room as the intricate arrangement of notes created a poignant connection with the adjacent artwork.

 

Donatienne Michel-Dansac will be performing avant-garde compositions by composer George Aperghis whose works are located in the field of experimental music and are known for their playfulness and theatricality. Michel-Dansac is known for performing, and often premiering, new works by contemporary composers, although she regularly performs works from all musical eras. Her performance this Wednesday will take place Plestcheeff Auditorium to give an acoustically rich performance to contrast with Muzzolini-Gordon’s gallery recital. This should be a great chance to hear Michel-Dansac perform intricate works she is familiar with in an intimate setting. Personally I am excited to hear excerpts from Aperghis’ works Récitations, a piece written for solo voice that is sprightly but vigorous, whose sound might be compared to vocalizing a computer algorithm. The night’s performance will also feature excerpts from Aperghis’ works Pubs and Zig-Bang. Michel-Dansac will also be performing with the Seattle Symphony on November 29 and December 1 with the performance Morlot Conducts Mahler.

 

Seattle Symphony Performance

Donatienne Michel-Dansac

November 28, 2012

7–8 pm

Plestcheeff Auditorium

Free and open to the public.

Ryan Peterson, Program Assistant

SAM Talks: Nine Antico

We are excited to host French graphic novelist Nine Antico who will be speaking at SAM Downtown in the Nordstrom Lecture Hall as part of the SAM Talks programming for the exhibition Elles: Women Artists from the Centre Pompidou, Paris Thursday night at 7 pm. This should be a great chance for aspiring graphic novelists and artists in the community to hear a fellow artist speak about their work and meet other like minded graphic artists and novelists. As a fan and collector of comic books myself I am eager to hear a little about Nine’s creative process and how she constructs her graphic narratives.

Although her comic books are all written in French the content she writes about in her most recent work Coney Island Baby (l’Association) is unmistakably American and refers to our own cultural memory. Coney Island Baby features American Icons Betty Paige, Linda Lovelace and Hugh Hefner among other figures from pop-cultulre; the title itself refers to a song of the same name by Lou Reed. As her choice of characters suggests Coney Island Baby navigates the complexities of female seduction through the imagery of Linda Lovelace and Bettie Page through a feminist reading of their respective lives as told by Hugh Hefner to two aspiring Playboy playmates. Hefner attempts to deter the bunny ear-clad Playmates to reconsider their new jobs by showing them the dark side of the Playmate lifestyle by telling them the stories of Lovelace and Page, two women separated by time but similar in endeavors for fame whose dreams were shorted by becoming famous for being naked, rather than by merit of the acting careers they had set out to attain.

Tickets may be purchased online, at the Ticketing Desk at any of SAM’s three sites or over the phone with a credit card by calling the Box Office at 206.654.3121.

 

Ryan Peterson, Program Assistant

Out now on L’Association

Celebrate Summer at SAM Remix!

With my summer as a PR intern for SAM coming to a close, I couldn’t leave without giving you a sneak peak of SAM Remix!  Just around the corner, Remix promises an evening packed with DJs, dancing, talks and more.  And as a first time attendee, I couldn’t be more excited!

Inspired by Sandra Cinto’s Encontro das Águas and Sarah Bergmann’s Portal to the Pollinator Pathway, SAM Remix celebrates stories of the land and seascape with a late night creative explosion on August 24 from 8 pm to midnight. The Olympic Sculpture Park will be alive with the celebratory spirit of Brazilian carnival, dancing, art, games and more!

Kick off the night with Show Brazil! in the Gates Amphitheater, followed by Seattle indie rockers BOAT telling stories of dinosaurs, real-life, punctuation, and the ferocious sounds of lobsters—I don’t think I’ve ever heard the ferocious sounds of lobsters, but I can’t wait to find out!  Dance all night as Tigerbeat mixes everything from mainstream pop to local favorites in the PACCAR Pavilion, and under the stars as DJ Riz infuses the waterfront with his soulful beats.  And don’t miss the outdoor screening of our favorite thriller Jaws against the backdrop of the Puget Sound—I can’t imagine a better venue!

The park will be filled with creative activities!  Make seed bombs to grown Washington wild flowers at home with artist Jeanne Dodds.  Remix the sights and sounds of the Olympic Sculpture Park by creating a portable viewfinder with Seattle artists The Unearth Collective.  Experience the park in new and unexpected ways on My Favorite Things: Highly Opinionated Tours—The Park After Dark with local artists, curators and more.   And come play America’s favorite beanbag toss game cornhole on boards designed by Dumb Eyes. Design sea adventure hats with Seattle artist Romson Bustillo for your next nautical adventures—I’m gathering inspiration from Cinto’s Encontro das Águas, a piece that celebrates our planet’s most precious resource: water.

Like Encontro das Águas, one of Remix’s very own co-hosts, the Center for Environmental Law and Policy (CELP) is committed to preserving Washington’s water resources. Suzanne Skinner, executive director at CELP, said this about their role in Washington:

We have been watching the country burn this summer and we are now seeing Cle Elum fight rampant fires. The impacts of climate change are upon us—and in the West—where water has always been in short supply—that means more demands for our increasingly short supplies. We need water for everything. The Center for Environmental Law and Policy (CELP) is Washington’s water watchdog. We bring our water law expertise and passion to help citizen groups and tribes throughout the state to protect their rivers, streams and aquifers. From what we learn from people working on the front lines, river by river, aquifer by aquifer, we advocate for science based, sustainable water management in the legislature, in the courts and with government agencies. Now more than ever, we need to work together to protect our water resources.

You can browse the links below to find out more about the CELP or any of our other rad cohosts.

We will party rain or shine, so please dress for the weather, as many tents will be located outside throughout the park.

Every Remix is different, so be sure not to miss it!

P.S.  Don’t forget that the first 50 guests at the door in aqua blue get in FREE.

Remix Co-Hosts, August 24th

Center for Environmental Law and Policy, ARCADE, ArtsWest Playhouse and Gallery, Bumbershoot, Central District Forum for Arts and IdeasFrye Art Museum, Greater Seattle Business Association, Happy Hour in Seattle, Network of Indian Professionals, National Organization of Minority Architects NW, OUT for Sustainability, Pacific Science Center, People for Puget Sound, Photo Center NW, Seattle Emerging Museum Professionals, Seattle Fun Events, Space.City, Tacoma Art Museum, The Vera Project, Twilight Artist Collective, Urban Art ConceptVoices Rising, World Affairs Council Young Professionals International Network, The World Is Fun, and Young Professionals Network

Photo: Robert Wade

Seattle Magazine: Let the Good Wines Flow!

This August 1st, Seattle Magazine is hosting Red, White & Brew, an evening filled with 2012’s top local Wines and Brews as featured in Seattle Magazine’s upcoming August issue. Come one and come all and let the good wines flow as you taste the Best Washington has to offer! This groovy eve is to be held at the Olympic Sculpture Park will benefit SAM. Enhance your palate’s journey with TASTE, Oil & Vinegar, and then Belle Epicurean as they provide delicious appetizers, snacks, and sweets along the way. The horn sounds at 6:30, (just kidding, there is no horn…) so be there, or be square.Tickets are available online here for $35.

No need for young rebels, 21 and older please. The event will be held in PACCAR Pavilion and ends around 9pm.

Arrange safe transport and we hope to see you there!

Yogi SAM Wants You!

Thanks to Yogi Bhajan’s journey to the USA back in 1969, Yoga has ventured from ancient India and in to your very own Olympic Sculpture Park! The chance to become a Saturday Yogi (yoga-do-er) is upon us! Every Saturday morning through the end of August, join fellow Seattleites and Terilyn Wyre on a journey as you assume the Warrior II, Half Moon, Royal Pigeon and Thunderbolt amongst other physically enlightening poses. If you’re lucky enough you might experience great self transformation while in Bharadvaja’s Twist or Distinguished Hero… Spiritual serenity and improved self-awareness are on the morning’s menu, all while you wave goodbye to your timber-limber (that’s not very limber…) self!

These classes suit all levels; so if your flexibility rivals mine, don’t worry about struggling through body-bending and mind-blowing poses designed for rubber bands and silly-putty. Please bring your own stylish mat and arrive 15 minutes early to sign in. Classes meet at the Olympic Sculpture Park’s Amphitheater from 10:30 to 11:30 and if it dares to rain on your yoga-day, classes will move into the adjacent Pavilion to render mother nature offenseless through the power of Patanjali and his Yoga Sutras (and also a functional roof…)!

Come down and stretch it out this Saturday!

Keep it Flexi,

-Yogi SAM

Gardner Center’s Friday Night Movies in the Park

Starting the weekend off right with some time for relaxation, Bollywood action and natural inspiration is no problem this summer. On Friday nights through August 3rd, dawn your Snuggies, stuff your pillows, ferment your fruits or malted barley and harvest your picnic goodies in preparation for an 8:30 journey to Volunteer Park. Enjoy Bollywood music and a sunset picnic alongside carefully selected company. Important Notice: Cuddling is A-Okay!

Beginning just as darkness arrives, the Gardner Center is partnering with Tasveer to bring you a Friday night of Bollywood Film under the stars or clouds or whatever shows up to the Volunteer Park Amphitheater. One night, you might see the 1977 classic Shatranj Ke Khilari, a film about two men engrossed in their chess match amidst British attempts to annex the kingdom of Awadh, while on another it might be Band Baaja Baaraat, a 2010 film about two Wedding Planners who enjoy a successful business partnership until feelings interfere. There is something especially appreciable about outdoor movies, especially in such a pleasant natural medium like good old Volunteer park. Although nine months a year we wouldn’t dare watch a movie OUTSIDE!?!? in Seattle, summer is our time to do it. Despite the 99.99% certainty that it’s going to be a perfect night every time; we acknowledge the weather MIGHT not cooperate with such lofty predictions. That being said, we Seattleites are adept at adapting whenever summer-chills come our way, so make your plans fearlessly. Worst case, enjoy watching the movie inside of the Stimson Auditorium, bundled in all of your comfort devices.  There is a no-judgment policy on indoor Snuggie use…

If you’re left wanting more when the Bollywood fun runs out, head down to Cal-Anderson Park on Fridays through the remainder of August for more outdoor movie action!

So remember: Friday nights at Volunteer Park Amphitheatre, the music starts at 8:45 and the movie begins at dark (9:30ish). It is a grand occasion, ’nuff said!

Click here for specific movie information or schedules.

See you Friday!

 

SAMBlog