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SAM News

The downtown Seattle Art Museum reopens to the general public on March 5, just in time for the opening of the special exhibition, Jacob Lawrence: The American Struggle. The Seattle Medium shares the news. 

Crosscut’s Margo Vansynghel previews five shows to see now that museums are reopening, including Barbara Earl Thomas: The Geography of Innocence, the beloved artist’s first solo exhibition at SAM. And in her ArtSea weekly newsletter, Brangien Davis spotlights The American Struggle and Lawrence’s “fiery, vigorous and engrossing paintings.”

More SAM stories: Alison Sutcliffe of Red Tricycle shares “13 Places to Learn About Black History in Seattle,” including SAM; Interior Design Magazine posts about Barbara Earl Thomas’s show at SAM; and Gemma Alexander of the Seattle Times highlights “kid-friendly venues” reopening, including SAM (and the always-open outdoor spaces of the Olympic Sculpture Park). 

Remember the snow days? (All two of ‘em?) The Stranger’s Charles Mudede had the wonderful idea to spend it with John Akomfrah’s The Last Angel of History, which is streaming on the Criterson Channel as part of its Afrofuturism collection.

ICYMI: On February 11, SAM hosted a virtual event with artist Saya Woolfalk and SAM Curator of African and Oceanic Art Pam McClusky on the SAM installation Lessons from the Institute of Empathy. Victor Simoes of UW’s The Daily shares a recap of the conversation.

Local News

The executive director of the nonprofit writers organization Hugo House has resigned, reports the Seattle Times, amid calls for change and racial equity. 

“Tariqa Waters and Anthony White Win the 2020 Neddy Awards,” reports Jasmyne Keimig of the Stranger. You’ll be able to see their work, along with the runners-up, in a Neddy exhibition opening in March at the University of Washington’s Jacob Lawrence Gallery.

Glenn Nelson with an opinion piece for the South Seattle Emerald on “why local jazz must survive.”

“The pandemic has laid bare and amplified the issues that have eaten away at jazz far before the novel coronavirus’ first sour note. Those challenges include a daunting and shifting economic model, widespread lack of understanding among Americans about one of their few truly indigenous art forms, and underlying causes steeped, unsurprisingly, in race.”

Inter/National News

The New York Times reports that the president of Newfields, home to the Indianapolis Museum of Art, has resigned, after the organization posted a job posting for a new director that would  attract a more diverse audience while maintaining its “traditional, core, white art audience.”

Artsy interviews Bryan Stevenson about the Equal Justice Initiative and its National Memorial for Peace and Justice and the Legacy Museum in Montgomery.

Artnet’s Brian Boucher on the New Museum’s new exhibition, Grief and Grievance: Art and Mourning in America, one of the final projects of curator Okwui Enwezor. A high-profile group of artists, curators, and scholars came together to achieve his vision.

“‘Okwui’s framing of the project takes the idea of a political crime and transfers it to the register of psychological impact,’ said curator Naomi Beckwith, who worked on the show, in a Zoom conversation with Artnet News. ‘The show’s title alludes not to a historic event, but rather to a state of being.’”

And Finally

“With Tears in my Eyes, I’m Asking You to Act.”

– Rachel Eggers, SAM Associate Director of Public Relations

Image: . . . is life so dear or peace so sweet as to be purchased at the price of chains and slavery? —Patrick Henry, 1775, Panel 1, 1955, Jacob Lawrence, from Struggle: From the History of the American People, 1954–56, Collection of Harvey and Harvey-Ann Ross, ©️ 2019 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.