Image: Shiva and Parvati in Conversation; Shiva on His Vimana (Aircraft) with Himalaya, Folio 53 from the Shiva Rahasya, 1827, Jodhpur, opaque watercolor and gold on paper, 16 1/2 × 45 5/8 in., Mehrangarh Museum Trust, photo: Neil Greentree.
Curbed Seattle highlights the Olympic Sculpture Park as one of “26 best places to visit in Seattle this fall,” calling a visit to the sculpture park “the easiest way to feel artsy in Seattle without needing to spend half a day inside a museum.”
“Considering that only last year Mayor [Rahm] Emanuel and Commissioner [of the Department of Cultural Affairs Mark] Kelly dedicated another mural I designed downtown for which I was asked to accept one dollar, you could say the City of Big Shoulders has wrung every bit of value they could from the fruits of my labor.”
Thump! That’s the happy sound of The New York Times fall arts preview hitting doorsteps. SAM’s major fall exhibition, Peacock in the Desert: The Royal Arts of Jodhpur, India, was featured in their round-up of “Over 100 Not-to-Miss Shows From East Coast to West.” The show traveling from the Mehrangarh Museum Trust was dubbed “a dazzling assembly.”
“Rector’s ability to seduce through stories is the stuff of hallowed auteurs. But it’s her ability to vanish behind the story that makes her work so enthralling. Fantasy doesn’t always have to be an escape; rather a tool to reframe and change the world.”
Yay for art history majors: When Denise Murrell’s professor ignored the Black servant in Édouard Manet’s Olympia, she made it her thesis subject—and it’s now an exhibition at Columbia that will travel to Paris’ Musée d’Orsay.
“What began as a kicky story idea became a masochistic march through voids of meaning. I found myself sleepwalking through them, fantasizing about going to a real museum. Or watching television. Or being on Twitter.”
“I knew the Central Area had been going through a lot of urban renewal. I went to see the Migration Series at the Seattle Art Museum and thought, I could do a series capturing urban life, showing the historical legacy of the Central Area.”
“’Frank revealed a people who were plagued by racism, ill-served by their politicians, and also rendered increasingly numb by the rising culture of consumerism,’ Greenough noted. ‘But it’s also important to point out that he found new areas of beauty in those simple, overlooked corners of American life—in diners, or on the street.’”
Don’t miss part two of Michael Upchurch’s write-ups for Crosscut on smaller installations now on view at SAM: this week, he highlights New Topographics, featuring photographs of “man-altered landscapes,” and American Modernism, which includes two incredible paintings from SAM’s collection by Georgia O’Keeffe and Marsden Hartley.
The fall edition of The Stranger’s Art & Performance Quarterly is out! Lots of SAM shows and events are among their critics’ recommendations, including the exhibitions Peacock in the Desert and Noble Splendor, the annual Diwali Ball, and film events Night Heat: The 41st Film Noir Series and Indian Film Masterpiece: The Apu Trilogy.
Curated by RYAN! Feddersen and featuring art by Asia Tail and Fox Spears, we just had to stop by for more creative output from these artists who have also been involved with SAM during Double Exposure. The collection of art on view offers a range of styles from contemporary Native artists in a variety of mediums by artists hailing from tribes across the extended Pacific Northwest and beyond. Feddersen is the mastermind behind the Post Human Archive, the social media activity that was installed at SAM.
Asia Tail, also a curator (we can’t wait to see yəhaw̓ at the King Street Station opening in January 2019) is the hand behind the words on the Double Exposure website but we hadn’t seen her art previously! Fox Spears is one of the teaching artists offering free Drop-In Studio workshops at SAM (there’s one more workshop on Sunday led by Sondra Segundo before the exhibition closes) and it was so nice to see this work after learning so much about his process!
The lens we look through changes everything. In Native Portraiture, Tacoma Art Museum asks the question: What is communicated when an outsider portrays someone from another culture?
In the galleries you will have the chance to see contemporary Native artists representing Indigenous cultures for themselves. These works are interspersed by a few examples of depictions by non-Native artists that romanticize, stereotype, or appropriate Native people and cultures. We recommend spending at least an hour or two in this gallery to fully absorb the impact of this contrast.
Do yourself a favor and enjoy the ferry and short drive that it takes to get to Suquamish Museum. Well designed and chock-full of information, the permanent installation tells a detailed and important story through movement, textures, the forest environment and the symbolic movement of the tide. The objects on view, many never before exhibited, are a combination of works owned by the Suquamish Museum and on loan from Suquamish families and other museums. The way these objects are arranged creates an environment where you will want to spend some time. The museum describes their goal as an attempt to “displace the modern way of historical contextual understanding. Culture is more than historical events strung together. The passing of knowledge and values, generation to generation, is the core of Suquamish culture.” Based on our visit, the Suquamish achieves their goal, and then some!
Where your day trips take you, SAM recommends you make the time to visit the wealth of museums in Washington featuring work by Native artists!
Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson closes at SAM on September 9, but here are 8 places you can visit in Seattle (and beyond) where you can continue to widen your lens on Native culture. Indigenous peoples have been living in the Puget Sound area for well over 4,000 years making for a rich but complex history that has left a lasting mark on the region. Despite the hardships faced by Native communities, Native culture continues to thrive.
After decades of planning and fundraising, the Duwamish Longhouse & Cultural Center opened its doors to tribal members, visitors, and the community in 2009. Located at a historic archeological site along the Duwamish river in West Seattle, the lobby displays archeological materials from the site and has a resource center filled with photographs, interviews, field notes, and other literature about the Duwamish and coastal Salish people. Visit the longhouse’s gallery and exhibit area—it’s free! In addition, the longhouse holds monthly special events as well as ongoing workshops, demonstrations and lectures.
Located on the University of Washington Seattle campus, the wǝɫǝbʔaltxʷ – Intellectual House, pronounced “wah-sheb-altuh,” aims to provide a welcoming space and a supportive educational environment for all Native students. Though this longhouse-style facility is on a college campus and many events are reserved for UW students, it also hosts a variety of different events like film screenings and concerts that are also open to the public. Check out their Facebook page for details on upcoming events.
If you’re in Neah Bay be sure to stop by the Makah Cultural & Research Center—the center includes the Makah Museum, as well as the Museum store, Makah Language Program, Archives and Library Department, Makah Education Department, and Tribal Historic Preservation Office. Their permanent collection boasts 300-500 year old artifacts recovered from a Makah village in Ozette, Washington. The Makah Museum also offers demonstrations and lectures by Makah Tribal Leaders plus workshops where you can learn to make crafts from Makah tradition.
Located in Seattle’s Discovery Park, Sacred Circle Gallery is a gallery space inside of Daybreak Star Indian Cultural Center. Along with a permanent collection of Native American art, they show curated exhibits featuring contemporary and traditional Native American Art by global and local artists.
This Port Angeles heritage center is the home of a permanent exhibit of Kallam Village artifacts along with contemporary works by local tribal members. Across the street from the Heritage Center you’ll find The Carnegie Museum, managed by The Lower Elwha Klallam Tribe, the space displays cultural and historical artifacts of the Lower Elwha Klallam Tribe and other tribes of the Olympic Peninsula.
Located on the Evergreen State College campus in Olympia, “House of Welcome” Longhouse Education and Cultural Center’s mission is promoting Indigenous arts and cultures through education, cultural preservation, creative expression, and economic development. Come to the longhouse to learn about indigenous arts and cultures through Native art markets, exhibitions, performances, films, and other public events.
Learn about the legacy of the Tulalip Tribe and people via interactive displays and stories told in both Lushootseed and English at the Hibulb Cultural Center. In addition to the museum’s permanent collection and rotating special exhibitions, they host public events and workshops from weaving and beading classes to salmon bake fundraisers. And, to top it all off, the Cultural Center also happens to be located on a 50-acre natural history preserve, with a research library and a longhouse!
Lelooska Family dancers give audience members an understanding of Northwest Coast First Nations culture in living history performances at the Lelooska Foundation and cultural center. Along with living history performances, the Lelooska Foundation offers classes in traditional Northwest Coast crafts like wood carving, weaving, beading, and more. In addition, the Lelooska Museum holds an immense collection of artifacts from around the globe—check out their website for museum hours and event dates!
– Nina Dubinsky, Social Media and Communications Coordinator
Images: Photo courtesy of Lelooska Foundation. Photo courtesy of the Longhouse at Evergreen. Photo courtesy of the Hibulb Cultural Center & Natural History Preserve.
Sarah Bloom, SAM’s Senior Manager for Teen, Family & Multigenerational Programs and Learning, was interviewed for this ParentMap feature that combines fall arts recommendations for the family with the reasons why exposure to the arts is so important.
“Building the skill of close looking is something we try to instill in children and caregivers together,” Bloom says. “Looking at art is a skill that you build over time.”
Crosscut’s Brangien Davis on the Bellwether Festival, which debuts a revamped format this year with more happenings and a companion show at Bellevue Art Museum; I definitely want to see Tariqa Waters’ giant pack of Quilted Northern.
“I set up the camera and the moment she came into the frame, I moved in, sat next to her and asked her to look at the lens. I had no idea what her expression was, I just turned and pressed the shutter release – you can see it in my right hand.”
The Louvre can have Beyoncé and Jay-Z; SAM has Saeed and Isaac! Keep an eye out in September for Buzzfeed’s AM2DM road trip stories from Seattle, including their visit to the museum.
– Rachel Eggers, SAM Manager of Public Relations
Image: Installation view of In This Imperfect Present Moment at Seattle Art Museum, 2018, photo: Natali Wiseman.
“Is it a guttural battle cry? A shriek of surprise? A call across a crowded subway platform to an old friend glimpsed boarding a train? A eureka-like shout of stunned recognition that Armenia is the country whose art you long to appreciate the most of all?”