Hillaire carving the pole for Kobe, Japan, in Seattle’s Pioneer Square, 1961. Photograph by Harvey Davis. Post-Intelligencer Collection, Museum of History and Industry.

Joseph Hillaire: Carver of the Kobe-Seattle Sister City Friendship Pole

Joe Hillaire Kwul-kwul-tu, (meaning “spirit of the war club”) was a man of indomitable spirit, grace, intelligence, and talent. For his Lummi people, he perpetuated song and dance traditions through the Setting Sun Dance group, was instrumental in reviving the Lummi Stommish water festival (and...

Hillaire and grandson, Ernie Lewis, 1950s. Photograph courtesy of Pauline Hillaire.

Joseph Hillaire: Carver of the Century 21 Exposition Totem Pole

Joseph Raymond Kwul-kwul’tu Hillaire (1894–1967) was an artist, storyteller, performer, Native activist, and diplomat. When Joe Hillaire was born, lingering distrust permeated Native-White relations. Many of Joe’s totem poles were created as civic monuments and served to bridge cross-cultural understanding, as well as to project...

Link to Conversation with Heide Hinrichs

Conversation with Heide Hinrichs

The SAM Next Heide Hinrichs installation Borrowed tails closes this Sunday. In conjunction with the closing we wanted to publish a conversation between the exhibition curator, Marisa Sanchez, Assistant Curator of Modern and Contemporary Art and the artist Heide Hinrichs. Share

The word is out…

The word is out…

PHEW! It’s incredibly hard to keep good news under wraps, especially when it’s as big as Picasso: Masterpieces from the Musée National Picasso, Paris. And now, thank goodness, the word is out. Share

Link to Michelangelo Wednesdays

Michelangelo Wednesdays

A couple of weeks ago I gave a tour in the “Michelangelo Wednesdays” series. (Quick overview: SAM curators—including myself, the curatorial lead for Ancient Mediterranean and Islamic art—give a short tour of the Michelangelo exhibition every Wednesday afternoon.) I am not a Renaissance scholar, though...

Link to What it takes

What it takes

Lately, I’ve been thinking a lot about what it takes to put a work of art on view.  To our visitors, it should seem oh-so-easy: You see painting A (something you love) one day, and on your next visit it’s replaced with painting B (something...

Link to Why a plate?

Why a plate?

Michelangelo Public and Private invites us into the artistic process behind some of the most astonishing works of art ever created – the Sistine Chapel frescoes. Through preparatory drawings – quick figure sketches to capture a pose, analytical studies of outstretched limbs, a highly finished...